Cher Public

  • antikitschychick: Evening Everyone, First of all I apologize for taking so long to report back about my recent quadruple dose of operas... 12:34 AM
  • DerLeiermann: I fear Miss Netrebko might not be as photogenic as I first thought. On camera she can look a bit plump and,ocasionally, too... 11:47 PM
  • DeepSouthSenior: I’ve said here several times that I’m not a big fan of opera in audio only (except for Baroque). Opera is... 11:31 PM
  • DerLeiermann: Thank you for this info , Donna Anna. I’ll see if my theater has the encores. I suppose I should also consider... 11:26 PM
  • DerLeiermann: Wow, this is pure TRASH. I can’t believe it won 4Tonys. (Though know that I know against they were won to it makes... 11:18 PM
  • Batty Masetto: Surprising to read here about the production being dark in HD – it looked very good in our theater, no problems with... 11:11 PM
  • Krunoslav: When I see those COCO clips, I have always wanted to throw things. Everyone knew she could neither sing nor dance, but to me... 10:48 PM
  • Camille: Uebermächte, dammit! Now goodnite, mother! 10:47 PM

Tanks a lot, but no tanks

Bayreuth’s most recent production of Tannhäuser was set to be retired. So of course they captured the 2014 performances for posterity and released it on video. The DVD has the typical Bayreuth package—it’s well-filmed, with a fairly steady camera that often pans out to full-stage shots instead of the using the new HD technique of constant close-ups. Good job, Bayreuth film crew.

The production by Sebastian Baumgarten is however the type of regietheater that’s not a rethinking or reconstruction, but just a hot mess. The first clue that the director might have been a little too high on his own ideas is the fact that the pre-curtain time AND intermissions are staged. Yes, that’s right, Baumgarten apparently thought his ideas were such treasures that he expected the audiences to not pee during a five-hour opera. I have no idea how this actually played in the house and whether everyone really stayed put during intermissions but this is how it’s presented in the video. Read more »

Oh Angela Merkel we love you get up

There is no snow in Bayreuth. There is no rain in Oberfranken. I have been to lots of Festspiele and acted perfectly disgraceful, but I never actually collapsed. [International Business Times]

“Nun halt’ ich, was mich erhebt, der Mächtigen mächtigsten Herrn!”

In an unprecedented move, the Bayreuth Festival has named conductor Christian Thielemann official “Music Director,” according to a statement by festival spokesman Peter Emmerich quoted in Die Presse. Until now, Thielemann’s position has been that of “musical advisor” (musikalischer Berater.)    Read more »


Heil and farewell

The Bayreuth Festival has decided to walk away from a new Parsifal production directed by Jonathan Meese for 2016 because the budget has spiraled out of control. Andris Nelsons is still on board to conduct.

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Seligsten Paar

Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.”

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Rough trade and regie

Meet Tobias Kratzer (left) who is scheduled to direct Tannhäuser for Bayreuth in 2019.

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“I felt the hand of Death”

Oddly enough, Eva Marton‘s interpretation of the Kostelnicka (pictured) goes unmentioned in Issue #38.

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In Ring und Reih’ die Hall’ erfüllen die Helden

Our Own JJ has been thinking about Bayreuth some more, this time in the pages of Musical America.

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No one who speaks German could be an evil man

If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.

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Into the wild green yonder

Mark your calendars and set your alarm clocks, cher public, for 13 October 2013 at 18:00 CEST (that is, 2:00 PM in New York City) when individual tickets for the 2014 Bayreuth Festival will go on sale online.

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