In an unprecedented move, the Bayreuth Festival has named conductor Christian Thielemann official “Music Director,” according to a statement by festival spokesman Peter Emmerich quoted in Die Presse. Until now, Thielemann’s position has been that of “musical advisor” (musikalischer Berater.) Read more »
The Bayreuth Festival has decided to walk away from Jonathan Meese, canceling his production of Parsifal scheduled for 2016. The reason given for Meese’s ouster was an out-of-control budget, at last reckoning something more than €4 million. Andris Nelsons is still on board to conduct. [Die Welt]
Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.” [Kurier]
Meet Tobias Kratzer (left) who is scheduled to direct Tannhäuser for Bayreuth in 2019.
Oddly enough, Eva Marton‘s interpretation of the Kostelnicka (pictured) goes unmentioned in Issue #38.
If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.
Mark your calendars and set your alarm clocks, cher public, for 13 October 2013 at 18:00 CEST (that is, 2:00 PM in New York City) when individual tickets for the 2014 Bayreuth Festival will go on sale online.
All right, I admit it; I finally broke down and read the program notes for the Ring in the Bayreuth program book.
I’m told that the public were, if hardly enthusiastic, at least ambivalent toward the Frank Castorf Ring up until the first performance of Siegfried, at which point things got really ugly and the booing started in earnest.