Cher Public

  • Jungfer Marianne Leitmetzerin: Cami, the link to BR-Klassik has said – from Day 1 – “Aus rechtlichen Gründen ist dieses... 5:03 PM
  • Cocky Kurwenal: D’Intino was Amneris at my first ever visit to the ROH, as a young teenager. I’ve looked out for her ever... 5:01 PM
  • Krunoslav: Actually, “bol’s hie” is plural. 4:56 PM
  • Krunoslav: One other world-class Eboli, though she didn’t seem to linger long abroad ever: Lucia d’Intino, whose Met debut... 4:53 PM
  • Cicciabella: Do the Old Norse myths are banal gibberish. Now we know. 4:38 PM
  • Cocky Kurwenal: There’s no doubt that Barton can be phenomenally classy – I loved her in her Cardiff performances. But having... 4:35 PM
  • Nero Wolfe: I heard Marc in a recital and was blown away–not only by the quality of her voice but by the sheer volume she could put... 4:04 PM
  • Will: Watson as Resi in Munich just three years earlier in 1970 wasn’t perilous to these ears, and I was very happy to have... 2:54 PM

Chat: Les Indes galantes

IndesThe cher public are invited to enjoy this afternoon’s live webcast of Les Indes galantes from the Bayerische Staatsoper.

Oil, be seeing you

JuiveToday at noon from the Bayerische Staatsoper, a live telecast of the premiere of Halévy’s La Juive, with Aleksandra Kurzak in the title role and Roberto Alagna as Eléazar. The cher public are naturally invited to chat.  Read more »

Cross purposes

forza_amazon“Has anyone ever seen a truly great production of this opera?” asked Parterre’s Jungfer Marianne Leizmetzerin last November, in the course of sharing audio from an excellent 1974 Vienna Forza del destino. Marianne received few nominations in follow-up comments. When we talk of great Traviatas and great Falstaffs, it is likely we mean the direction and design teams contributed to the greatness. When we talk of great Forzas, we usually mean they did not get in the way. There was great singing, perhaps great conducting, and what was framing the musical performance was not ruinously bad.  Read more »

Fiery

Touched by an angel

La Cieca reminds the cher public (pictured) that The Fiery Angel, webcast live from Munich, begins shortly.

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Carmelites

Nunsense

A Court of Appeals in Paris has ordered BelAir Classiques to remove from its catalog a video recording of Dialogues des carmélites as staged by Dmitri Tcherniakov for the Bayerische Staatsoper.

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Arms

Arms and the man I sing

The opening night of the Bayerische Staatsoper’s new production of Aïda, featuring Jonas Kaufmann in his staged role debut as Radamès, was captured informally on audio, and can be heard in full after the jump.

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Lady Miss Kristine

The chills that you spill up my back

Does the above photo depict a) the first day of rehearsals of Mefistofele at the Bayerische Staatsoper, or, b) a Deee-Lite reunion tour?

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ariadne

Blue light special

The Bayerische Staatsoper’s wildly popular series of free live streams returns for its fourth season, live and in full HD, on October 28 with a webcast of Richard Strauss’ Ariadne auf Naxos.

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Manon Lescaut Muenchen

The girl can’t help it

This afternoon at 2:20 PM EDT (20:20 CET), the Bayerische Staatsoper presents a live webcast of a sold-out performance of Giacomo Puccini’s Manon Lescaut starring Kristine Opolais and Jonas Kaufmann.

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Bianca Salome

How’s your head?

Now here’s a competition for a parterrian: the Bayerische Staatsoper is looking for a drag performer to lip sync the final scene from Salome!

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