“After five flops in a row, Mr. McVicar continues to win new assignments from the Met: in the 2017-2018 season alone, he’s booked for Bellini’s Norma and Puccini’s Tosca, with Cilea’s Adriana Lecouvreur down the line.” [Observer]
Bartlett Sher’s “new to Chicago” production of Romeo et Juliette came to the Lyric Opera at Monday’s opening after appearances at Salzburg and Milan. For most of the evening, the production worked quite well, moving the iconic star-crossed lovers to 18th century Venice. Musically, however, the evening was a decidedly mixed bag. Read more »
While the celebrity-studded, expensively-dressed audience gathered for the gala opening of the Metropolitan Opera’s 2015-2016 season seemed genuinely enthralled by Monday evening’s performance of Otello, it was more likely swept away by the power of Verdi’s genius than by Bartlett Sher’s puzzling, inert new production. Read more »
Vittorio Grigolo in the title role of the Met’s revival of Les Contes d’Hoffman is the opera version of the charming homeless drunk.
La Cieca hears that Bartlett Sher has already signed a new three-opera deal with the Met. The director, who completes his first trifecta with next season’s Le Comte Ory, will reportedly return to the company in 2013-2014 for two productions, one of which will be that new Nico Muhly work, Two and a Half Men or whatever it’s called.