Cher Public

  • chicagoing: Final Don Carlo performance in San Francisco tonight with Furlanetto in for Pape. Wish I was there to see it again. 1:56 PM
  • PCally: Yeah Premiere Opera is where I was debating purchasing it. That and Reimann’s Lear (1982 revival) are the purchases... 1:26 PM
  • Evenhanded: Well. Camille: Gounod’s Polyeucte was revived as part of the Festival della Valle d’Itria in 2004 and a recording... 12:33 PM
  • Gualtier M: This the rest of the cast: Conductor Ferdinand Leitner – Stuttgart 1968 Orchestra – Württembergische Staatsoper;... 12:03 PM
  • PCally: This was the video I was talking about. Is the whole thing worth purchasing? 11:47 AM
  • ducadiposa: Well, she’s scheduled to give a recital here in Toronto this fall on Friday, November 11 singing Bach, Strauss,... 11:34 AM
  • Gualtier M: Tiny Tim is no Nick Lucas who introduced “Tiptoe through the Tulips” in 1929 in “Gold Diggers of... 11:34 AM
  • Gualtier M: This was filmed in Stuttgart in 1968 with Silja: httpv://www.youtub e.com/watch?v=40V5 P5iTs4Q Silja always needed to be seen... 10:03 AM

Leather underground

Putting in a little face time (and what faces!) at Charles Castronovo‘s cabaret at 54 Below last night were barihunk trifecta Erwin Schrott, Dmitri Hvorostovsky and Ildar Abdrazakov. Note the  leather jeans. The tenor repeats his show tomorrow night following that evening’s Met performance of Don Ottavio. (Photo: Charles Martin)

Opera pump

Happy birthday to baritone Zachary Gordin, cover boy for this year’s Barihunk Wall Calendar.

Desert fox

Karol Szymanowski’s 1926 King Roger was the sleeper hit of SFO’s season, not so much for its weird, mystical theme and feeble libretto but because the music is powerfully effective and Evan Rogister handled the shimmering, richly expressionistic orchestral writing with consummate skill. The choral writing is ravishing, especially the ecclesiastical Russian-sounding opening movement that emerges from the stark sounds of bells and gongs.   Read more »

onegin

Le sigh

Prepare to swoon, cher public, as the Bayerische Staatsopera presents yet another of their hunk-o-rama webcasts, Eugene Onegin, starring Simon Keenlyside and Pavol Breslik.

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Behind the red curtain

It was indeed a curious sensation  making a late morning trek to East 59th Street, a block devoted to showro0ms for bizarre upscale furniture and lighting fixtures, and then to enter a boutique cinema specializing in Hindi films (the big coming attraction right now is Desi Boyz) — and all this before sitting down in an auditiorium half- full of retirees to see a live performance of Don Giovanni from La Scala. That it worked as a Mozart experience I think can be chalked up to two factors: Robert Carsen‘s production and the constantly improving (if still imperfect) HD technology. 

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Stocking stuffer

Randal Turner, pictured above, is but one of 33 barihunks featured in—who ever would have guessed?— “the first Barihunks calendar,” just in time for holiday giving and receiving. All proceeds from the calendar, available at the Barihunks site, will be donated to young artist programs. (Photo by Sarah Wells)

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Bringing Mariusz back

Good news, barihunk lovers! According to a press release from the Met, Mariusz Kwiecien will return to the stage for the title role of Don Giovanni on October 25, in time for the HD telecast October 29 as well as remaining scheduled performances through November 11.

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Who is that masked man?

Peter Mattei will sing the opening night of the Met’s new Don Giovanni Thursday, replacing the injured Mariusz Kwiecien. Subbing for Mattei as Figaro in Il barbiere di Siviglia tomorrow and Friday nights will be Rodion Pogossov.

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Juan down

Barihunk Mariusz Kwiecien injured his handsome back during today’s dress rehearsal of Don Giovanni at the Met and was taken to the hospital, tweets Dan Wakin. As La Cieca writes this, Kwiecien’s cover Dwayne Croft is at the Met rehearsing the opera’s first act swordfight.  

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Northern stars

Winners of the seventh annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence, or, as they are colloquially known, the Opera News Awards, have been announced. Accepting the coveted “Effies” on Sunday, April 29 at The Plaza in New York City will be sopranos Karita Mattila and Anja Silja, baritones Dmitri Hvorostovsky and Peter Mattei, and director Peter Sellars. (Zany photo of Sellars by Alex Ross.)

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