Cher Public

  • Camille: Don’t worry about fiddle-arcing. It is okay, whenever and wherever. I am highly unreliable myself, so no es problema!! 5:35 PM
  • Camille: Thank you so much Monsieur Hippolyte! I used to always go there–they have saved me so many dollars, but I’ve gotten... 5:34 PM
  • NPW-Paris: Camille I’m in a place so remote I can only reply by smartphone and it’s too fiddle-arsing. I hope to find time... 5:33 PM
  • Hippolyte: According to its website, the New York Public Library owns two circulating copies of the Gounod Polyeucte CD on Dynamic–a... 4:50 PM
  • Dolciamente Pipo: Sorry to butt in here, but I am such a huge fan of the Ediciones Singulares/Palazze tto Bru Zane survey of rare French... 4:46 PM
  • PCally: Well many consider Fruhling the hardest of the four songs. One virtually all recordings the soprano struggles a bit. Netrebko in... 4:41 PM
  • Orlando Furioso: It’s also worth mentioning that (as many of our knowledgeable readers are aware) the fact that Berg had completed... 4:01 PM
  • operaspike: I’m going again tonight; got the last best seat available in the house. And last night’s “Jenufa̶ 1; was... 3:56 PM

The shock of the new

“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season. While A Streetcar Named Desire, by André Previn, is the only one that was composed in the last 100 years, the company will also present Richard Strauss’s Elektra, which was first performed in 1909. Thus it is not the case that A Streetcar Named Desire is the only opera in the company’s season ‘from the last century’ if ‘the last century’ is taken as a reference to the 20th century.” [New York Times]