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  • dr.malatempra: Oh, for heaven’s sake. How can you possibly know before you go??? Yes, you may not, but... 12:29 AM
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Ennis del Mar! Il storpi montano splende come un santo altar

“The cast, to a member, embraces every chance…” Anthony Tommasini goes to Brokeback Mountain. [New York Times]

Post-Liebestod

“The title character in Barber’s Gothic melodrama Vanessa, a self-deluded, manipulative older woman, ‘keeps coming up,’ Ms. Voigt said.” [New York Times]

And Tony goes to…

La Cieca spies spotted the New York TimesAnthony Tommasini at the opening of the Salzburg Meistersinger, which indicates his review should be appearing by tomorrow at the latest. The cher public are invited to predict what his take will be on Daniele Gatti’s music direction and Stefan Herheim’s staging, and anything else you might expect he’d comment on…

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Ring cycle

Anthony Tommasini and his long-time partner Ben McCommon were married on Friday.

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bullwinkle_steel

Tony award

For decades New York City Opera was a model of an organization with a clear mission.

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fafner

How sharper than a serpent’s tooth

“The Met’s new Ring is the most frustrating opera production I have ever had to grapple with.”

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post_apocalyptic_ring

Damage control

Just in time for the beginning of the first cycle of the Robert Lepage Ring (pictured), Peter Gelb tries to convince Anthony Tommasini that everything is just fine, thank you…

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Achromatic scale

In honor of Martin Luther King day (belated), the New York Times hosts a discussion about the current Broadway production of The Gershwins’ Porgy and Bess. As a bold gesture toward diversity and inclusion, the keynote speakers range from Anthony Tommasini to Ben Brantley.

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The 500 Hats of Peter Gelb

Is Peter Gelb wearing too many hats? Anthony Tommasini seems to think so, adding that one of those headpieces in particular is ill-fitting and might perhaps more flatteringly perch upon some other head. Call La Cieca suspicious, but she thinks the timing of this piece is hardly an accident.

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Strange bedfellows

So, tell me this, what do Anthony Tommasini, Zachary Woolfe and James Jorden (not pictured) have in common? Well, according to John M. Olin Fellow at the Manhattan Institute Heather MacDonald, these three “trendy” critics constitute “a press corps determined to push Met general manager Peter Gelb into conformity with European opera houses, where narcissistic updatings of opera plots are now de rigueur.” [City Journal]

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