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Cher Public

  • ipomoea: Thank you, Sci and Camille, You are always so helpful and informative. Although I have not heard Lee... 6:04 AM
  • spiderman: “The Tosca got booed” … you take this as the first and most of all facts, why do... 3:47 AM
  • Krunoslav: Nadja’s best option at this point? JOSEPHSLEGENDE. 2:15 AM
  • Lohengrin: The points for her decicion, to do Aida in London cond be “the conductor and the... 1:26 AM
  • Buster: 2019 – and she wll be just in it, it is not composed for her, I see. More details, including a... 12:55 AM
  • Buster: Nadja returns to the Met in an opera composed especially for her by Osvaldo Golijov. 12:50 AM
  • Camille: Hi, scifisci—lon g time no see. Yes, I corroborate with you about Lee, as I saw his second or... 11:14 PM
  • scifisci: Kaufmann is a special artist but I would not be that disappointed that Lee is filling in or that... 10:44 PM
  • Camille: Feldmarschie, hahahahaha! I just now saw your reference to Jackie O! I am sorry to disappoint your... 9:49 PM
  • Lady Abbado: Finally a glimpse into Angela Gheorghiu’s take on the role of Charlotte: http://staatsop... 9:37 PM

Isn’t it necromantic?

St. Paul’s Chapel is the perfect site for Saul, Handel’s finest dramatic oratorio. Not only are the acoustics brilliant, but Paul’s name was actually Saul before that unfortunate DUI on the road to Damascus. Accordingly, the Trinity Baroque Orchestra and the choir of Trinity Wall Street presented the piece on Friday night as part of the annual Twelfth Night Festival, fully staged as is currently the fashion for concert oratorios, and will repeat the event on Sunday at three.  Read more »

Top hatters

When Mike Nichols was honored at the Kennedy Center, Elaine May said of his work: “Mike has chosen to do things that are really meaningful, and that have real impact, and real relevance, but he makes them so entertaining and exciting that they’re as much fun as if they were trash.” Christopher Alden has pulled the same bit of trickery at the San Francisco Opera with a production of Handel’s Partenope that is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.   Read more »

Queens logic

UPDATE: This afternoon’s Operavore program now available for streaming, after the jump.

Saturday afternoon at 12:30 on WQXR’s magazine show Operavore, our own JJ talks about Mathilde Marchesi and Antony Roth Costanzo discusses his Orlofsky role in the Met’s Fledermaus. Or, to put it another way, this is a show so gay only pugs can hear it. Read more »

richard_tucker

Tucker everlasting

Those dear, dear people over The Greene Space at WQXR would like you, cher public, to join them this Friday for a concert saluting this year’s winner of the Richard Tucker Award, mezzo-soprano Isabel Leonard.

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new_puritans

Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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mae_west

You’ve got to taste all the fruit

F. Paul Driscoll, editor of Opera News [not pictured], is optimistic.”

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