Headshot of La Cieca

Cher Public

  • uwsinnyc: ‘Olga of the volga’: that had me in laughter! Based on some of her clips online, she... 4:12 PM
  • uwsinnyc: fabulous review,La Cieca. Can’t wait to see it in person! 4:11 PM
  • Milady DeWinter: Thank you, I look forward to it! Personally, I can’t imagine Rachvelishvilli singing... 4:05 PM
  • La Cieca: Our JJ reviews Carmen in next week’s “Observer.&# 8221; 3:32 PM
  • manou: That you are a libidinous sadist with a man-eating pot plant? 3:29 PM
  • Milady DeWinter: Bravo Cieca – you hit the nail on all the respective heads involved. Any thoughts on... 3:27 PM
  • MontyNostry: The Dentist in Little Shop of Horrors, along with Scarpia, is one of my dream roles. What does... 3:22 PM
  • Signor Bruschino: Is the English ‘horror̵ 7; not adapting well from being at a pro-profit agency... 2:57 PM
  • La Cieca: “We have waited in vain for two nights,” sings the Doctor in the last act of Verdi’s Macbeth, words... 2:51 PM
  • manou: The dentists only watch “Little Shop Of Horrors” 2:40 PM

Queens logic

UPDATE: This afternoon’s Operavore program now available for streaming, after the jump.

Saturday afternoon at 12:30 on WQXR’s magazine show Operavore, our own JJ talks about Mathilde Marchesi and Antony Roth Costanzo discusses his Orlofsky role in the Met’s Fledermaus. Or, to put it another way, this is a show so gay only pugs can hear it. Read more »

Tucker everlasting

Those dear, dear people over The Greene Space at WQXR would like you, cher public, to join them this Friday for a concert saluting this year’s winner of the Richard Tucker Award, mezzo-soprano Isabel Leonard. More details on the program and how you can win two free tickets to the event after the jump! Read more »

Our retrospection will now be all to the future


La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »

mae_west

You’ve got to taste all the fruit

F. Paul Driscoll, editor of Opera News [not pictured], is optimistic.”

Read more »