Headshot of La Cieca

Cher Public

  • Lindoro Almaviva: not available in the USA, oh well 3:01 PM
  • Chanterelle: Oui, c’est ça. Why I asked about workarounds. 2:59 PM
  • messa di voce: Connais tu le pays ou cette video est disponible? 2:55 PM
  • bluecabochon: The house was papered again last night and there were empty pockets here and there despite... 2:53 PM
  • Billys Butt: I’m not saying it was. I made a statement about the acting of Scotto, Rysanek, Callas,... 2:53 PM
  • Lady Abbado: Also speaking in generalities, the epistemic problem with the need to “see” a... 2:50 PM
  • Cicciabella: Seconded. If you need to “see” a performer for their performance to be successful,... 2:38 PM
  • Buster: My pleasure Grim – this is how she looked for the second half, très Patsy: http://imagizer... 2:38 PM
  • Chanterelle: Ah, you mean with everyone who can READ. Thanks, La Cieca! 2:36 PM
  • kashania: Voigt might make sense because even if she is nice person as her public persona indicates, she was... 2:24 PM

Queens logic

UPDATE: This afternoon’s Operavore program now available for streaming, after the jump.

Saturday afternoon at 12:30 on WQXR’s magazine show Operavore, our own JJ talks about Mathilde Marchesi and Antony Roth Costanzo discusses his Orlofsky role in the Met’s Fledermaus. Or, to put it another way, this is a show so gay only pugs can hear it. Read more »

Tucker everlasting

Those dear, dear people over The Greene Space at WQXR would like you, cher public, to join them this Friday for a concert saluting this year’s winner of the Richard Tucker Award, mezzo-soprano Isabel Leonard. More details on the program and how you can win two free tickets to the event after the jump! Read more »

Our retrospection will now be all to the future


La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »

mae_west

You’ve got to taste all the fruit

F. Paul Driscoll, editor of Opera News [not pictured], is optimistic.”

Read more »