Headshot of La Cieca

Cher Public

  • la vociaccia: I wouldn’t call her top ‘free,’ ; when she’s confident and in her... 1:01 AM
  • FomalHaut: I hadn’t realized Le Comte Ory was reviewed so poorly; I thought the combination of Damrau,... 12:46 AM
  • laddie: A nice little clip of Morley from King Roger a couple of years ago: httpv://www.you... 12:26 AM
  • steveac10: One glaring (and telling)inaccuracy – the Boheme and Aida are credited in part to... 12:22 AM
  • Krunoslav: What about Charles Castronovo if we’re casting for body type ( he also has better French... 12:10 AM
  • laddie: How wonderful that she will be able to grace the stage of the Paris Opera. I believe it is mentioned... 12:05 AM
  • johns33: Basing his arguments on reviews is silly. As for the ones he cites as getting a negative review: I... 12:00 AM
  • Ewige Nacht: It would be interesting to compare the orchestra’s presentation with the one the Met... 11:03 PM
  • La Cieca: Yes, that seems like magical thinking to me. 10:53 PM
  • CwbyLA: It may have to do with inflation or cost-of-living adjustments. >Do you think Peter Gelb will... 10:48 PM

Wingless victory

Of particular visual interest in last weekend’s Lohengrin (though not perhaps so tantalizing as Jonas Kaufmann‘s aristocratic bare feet, pictured above) is the very obvious change in the staging that was made between the antegenerale (in which Anja Harteros sang Elsa) and the telecast opening night. Read more »