Headshot of La Cieca

Cher Public

  • Feldmarschallin: Camille I adore Audrey and one day when you come to visit I will show you some pictures of... 7:26 AM
  • Feldmarschallin: Actually she is not against singing in London again and there are always still talks. I am... 7:24 AM
  • Feldmarschallin: And there is not a difference if one person booes a singer or half the galery? I suppose you... 7:21 AM
  • Feldmarschallin: Well I can only recommend that both Kaufmann and Harteros hardly ever cancel here. Alone the... 7:12 AM
  • ipomoea: Thank you, Sci and Camille, You are always so helpful and informative. Although I have not heard Lee... 6:04 AM
  • spiderman: “The Tosca got booed” … you take this as the first and most of all facts, why do... 3:47 AM
  • Krunoslav: Nadja’s best option at this point? JOSEPHSLEGENDE. 2:15 AM
  • Lohengrin: The points for her decicion, to do Aida in London cond be “the conductor and the... 1:26 AM
  • Buster: 2019 – and she wll be just in it, it is not composed for her, I see. More details, including a... 12:55 AM
  • Buster: Nadja returns to the Met in an opera composed especially for her by Osvaldo Golijov. 12:50 AM

Wingless victory

Of particular visual interest in last weekend’s Lohengrin (though not perhaps so tantalizing as Jonas Kaufmann‘s aristocratic bare feet, pictured above) is the very obvious change in the staging that was made between the antegenerale (in which Anja Harteros sang Elsa) and the telecast opening night. Read more »