Headshot of La Cieca

Cher Public

  • Clita del Toro: IVY: So, you don’t get Sayao. I personally love the little touches she puts into the... 4:22 PM
  • kashania: I’m not totally enamoured of Sayao either. In the Met Rigoletto broadcast, Warren and... 4:15 PM
  • Dabrowski: I’d be pretty surprised if Peter Gelb agreed to any of this without first checking with his... 4:13 PM
  • Dabrowski: Um, operaassport, you do realize that “bargaining unit” is not the same as... 4:12 PM
  • kashania: I don’t think it’s been filmed (I don’t think Bayreuth ever films a cycle in its... 4:11 PM
  • kashania: I agree. AGMA came out better than Met management. The savings will help for sure, but not enough... 4:10 PM
  • tannengrin: Is that a still from the “Castorf Ring” Rheingold? Has that been made available on... 4:08 PM
  • Dabrowski: There’s a me-too at E2b, a sure indication that AGMA and AFM are the more powerful of the... 4:05 PM
  • Poison Ivy: Thanks so much for these uploads! They are very interesting. I listened to the first broadcast... 4:03 PM
  • luvtennis: While it is clear that the crisis is past, I would not want to be the lawyer charged with drafting... 3:59 PM

Wingless victory

Of particular visual interest in last weekend’s Lohengrin (though not perhaps so tantalizing as Jonas Kaufmann‘s aristocratic bare feet, pictured above) is the very obvious change in the staging that was made between the antegenerale (in which Anja Harteros sang Elsa) and the telecast opening night. Read more »