Headshot of La Cieca

Cher Public

  • Ruxxy: All kudos to Mr Fry – this documentary is incredibly good. 3:34 AM
  • CwbyLA: NPW-Paris, I have been to that building before. It is called the Sureyya Opera House and it is in the... 3:12 AM
  • Guestoria Unpopularenka: Did she ever sing in Italian other than Mozart? I can’t find anything. 1:52 AM
  • NPW-Paris: Would you believe this is *not* the Théâtre des Champs Elysées? http://upload.wiki media.org/wik... 1:30 AM
  • zinka: httpv://www.youtub e.com/watch?v=epn7 Pi9Loao If GOD was a tenor!!!!!!!!!!!!! !!!!!!!!!!! Drives me... 1:12 AM
  • Rudolf: A note on Ermanno Wolf-Ferrari’s “Il Campiello”. This is not a verismo opera. It’s... 1:05 AM
  • antikitschychick: yeah it definitely sounded like a C to me as well and it’s really the one note he... 12:42 AM
  • Hans Lick: I’m glad folks have mentioned Steffani — but no one’s named Cavalli yet?... 11:32 PM
  • Poison Ivy: Aww thanks DSS. I’m glad Mrs. DSS is in the Jonas fan-club :) 11:27 PM
  • arepo: Hearing this clip and comparing it to Hymel’s Pinkerton left me scratching my head too. He... 10:50 PM

The seven percent solution

Anna NetrebkoYou figured it out a fortnight ago, cher public: “The Metropolitan Opera… said Wednesday that it was also asking its solo singers voluntarily to lower their fees, including some of opera’s biggest stars.” [New York Times]

Flame war

The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation. When two world-class singers premiere roles on the same night an operatic apoplexy is not unknown amongst the devoted. The theater’s infirmary stockpiles tranquilizers and the bar enjoys a brisk trade in all manner of festive libations. Now, gently fold into this mix one of the world’s greatest conductors who hitherto hasn’t shown much love to the Italian wing and then a stage director with a touch for the deranged and all bets are off.   Read more »

First of the last

An early preview of the new Netrebko/Barneboim/Strauss CD, including Anna’s first performance of the “Vier letzte Lieder,” following the jump. Read more »

New Rock

A page right out of history

“This is obviously a difficult situation. But who knows Hans New Rock, knows his cool and objective aesthetic decision.”

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Anna and Cowboys

Gay cowboys rejoice!

During the Munich Opera Festival performances of Giacomo Puccini’s Manon Lescaut (28th and 31st of July 2015) Kristine Opolais will replace Anna Netrebko in the title role.

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Macbeth

Ricevete la mercè de’vostri onori

Join the party, cher public, for the free web broadcast of Macbeth tonight starting at 7:15. Of course, La Casa della Cieca will be buzzing!

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The Letter

Day of victory

That miracle of the internet age, the slow leak, has begun.

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Lohengrin

Seligsten Paar

Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.”

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Anna_Norma

“It’s scary, but what can you do?”

“Ms. Netrebko, 43, spoke about her willingness to take risks…”

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Gazing into the future

When she has sung her songs

Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season.

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