The crown jewel of this year’s Munich Festival is undoubtedly Richard Wagner’s Tristan und Isolde, which opened the Festival on June 29 and will close the Festival with an “Opera for All” screening on July 31.
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The seventh season of STAATSOPER.TV’s free live streams begins Sunday, December 2 with Otello from the Bayerische Staatsoper featuring Jonas Kaufmann, Anja Harteros and Gerald Finley.
By La Cieca
“Has anyone ever seen a truly great production of this opera?”
By Porgy Amor
The studio opera recording is a rare beast these days and its arrival always a cause for celebration.
By Ali Kashani
Given that Jonas Kaufmann just canceled half his Met season and Anja Harteros is, well, Anja Harteros, La Cieca thought it would be interesting for us hinterlanders to hear what this duo sounds like when both show up to sing.
By La Cieca
The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer.
By Poison Ivy
Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper.
By La Cieca
A bio in need of perhaps a little minor retouching.
By La Cieca
In a starling last-minute change of programming, the Salzburg Festival has canceled all further performances of the critically-reviled Peter Stein production of Don Carlos. Weltstars Anja Harteros and Jonas Kaufmann will instead perform My Fair Lady (pictured).
By La Cieca
We waited eagerly to hear the Munich-born Jonas Kaufmann make his role debut as Manrico at the Bavarian State Opera as well the German-Greek soprano Anja Harteros take on Leonora’s bravura difficult arias.
Kate Royal withdrew as Mozart’s Contessa the other night (May 3) in Munich and we were forced to accept as substitute—gosh!—Anja Harteros
Since you so adroitly identified the voice of the mystery Leonora as Anja Harteros, La Cieca thought you might like to hear the soprano in the complete Act 4, Scene 1 of Il trovatore.
By La Cieca
