Cher Public

  • NPW-Paris: Their latest issue is Gounod’s Cinq-Mars, with Mathias Vidal, Tassis Christoyannis, Véronique Gens, etc., and the Münchner... 6:44 AM
  • NPW-Paris: And later the Opéra Comique joined in, and the Palazzetto Bru Zane with some very interesting recordings. 5:39 AM
  • redbear: It was a continuing chapter in the French rediscovering their own musical history and it is one of the great stories of my... 4:39 AM
  • manou: Kurzak has this pronounced widow’s peak (think evil Queen in Snow White) and they did replicate it quite well with the wig,... 4:22 AM
  • NPW-Paris: It was in February 2007 at the Bastille, with Anick Massis, Anna-Caterina Antonacci and Chris Merritt, and yes, the blog has a... 1:33 AM
  • zinka: 26:52 is the duet….. 12:38 AM
  • zinka: httpv://www.youtub e.com/watch?v=a7kN -KxKL7w LEYLA!!!!!!!!!!!!! !!!!!! Papian was chest-less when I saw her..She is... 12:37 AM
  • Batty Masetto: Definitely a wig, though unusually for BSO, a pretty good one. I noticed a major change in her hair before her scene in... 11:31 PM

Cross purposes

forza_amazon“Has anyone ever seen a truly great production of this opera?” asked Parterre’s Jungfer Marianne Leizmetzerin last November, in the course of sharing audio from an excellent 1974 Vienna Forza del destino. Marianne received few nominations in follow-up comments. When we talk of great Traviatas and great Falstaffs, it is likely we mean the direction and design teams contributed to the greatness. When we talk of great Forzas, we usually mean they did not get in the way. There was great singing, perhaps great conducting, and what was framing the musical performance was not ruinously bad.  Read more »

A desert breeze whispering a lullaby

The studio opera recording is a rare beast these days and its arrival always a cause for celebration. Its rarity also raises the stakes and invites scorn when the casting is dubious. Few things strike greater fear in the heart of an opera lover than the dreaded Andrea Bocelli announcement as part of a recording project. (What’s the point of getting Fleming, Borodina, and D’Arcangelo into the recording studio, putting up with Gergiev’s body odour, only to have the whole project doomed from the start?)   Read more »

Rome invasion

Given that Jonas Kaufmann just canceled half his Met season and Anja Harteros is, well, Anja Harteros, La Cieca thought it would be interesting for us hinterlanders to hear what this duo sounds like when both show up to sing. Read more »

doncarlo_amazon

Auto-da-fair

The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer.

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wozzeck

Bean counter

Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper.

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harteros

That is what fiction means

A bio in need of perhaps a little minor retouching.

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carlos

“Schau sie an, ein Gefangener der Gosse”

In a starling last-minute change of programming, the Salzburg Festival has canceled all further performances of the critically-reviled Peter Stein production of Don Carlos. Weltstars Anja Harteros and Jonas Kaufmann will instead perform My Fair Lady (pictured).

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trovatore_harteros

Nacht und Träume

We waited eagerly to hear the Munich-born Jonas Kaufmann make his role debut as Manrico at the Bavarian State Opera as well the German-Greek soprano Anja Harteros take on Leonora’s bravura difficult arias.

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harteros_nozze

It might as well be Einspring

Kate Royal withdrew as Mozart’s Contessa the other night (May 3) in Munich and we were forced to accept as substitute—gosh!—Anja Harteros

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More o’ Leonora

Since you so adroitly identified the voice of the mystery Leonora as Anja Harteros, La Cieca thought you might like to hear the soprano in the complete Act 4, Scene 1 of Il trovatore. 

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