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  • Hans Lick: In Trousers By John Yohalem Stella Nemica Infausta Rare Italian Arias for Mezzo-Soprano “You’re... 2:16 AM
  • Lindoro Almaviva: Pieczonka also got maria Callas’ jewels made by Swarovski for her way back then. 2:03 AM
  • Sanford: Viola Dsvis’s show is riveting and she plays the most complex character on TV. And in the two... 1:41 AM
  • Flora del Rio Grande: Don’t you know he will — and sharp too! 12:16 AM
  • Krunoslav: I mean listen to the damn clip and see if you can’t hear what I mention. I enjoyed the... 11:57 PM
  • Guestoria Unpopularenka: Kabaivanska sang Tosca tonight at Teatro Reggio di Parma as part of her own 80th... 10:11 PM
  • YigeLi: Not the one discussed with you sometime ago, I think all the recordings of that performance came from... 8:51 PM
  • YigeLi: Regarding the Schwarzkopf-VLL issue: I remember reading it somewhere that ES said her voice was a bit... 8:42 PM
  • armerjacquino: La V: Horne most certainly did do the VLL- the evidence is right there on YouTube. I... 8:34 PM
  • Quanto Painy Fakor: When Gobbi made the sign of the cross at the end of the Te Deum, he did it with a closed... 8:33 PM

Auto-da-fair

The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer. Tickets are notoriously expensive and hard to get. Expectations are thus always extremely high for any Salzburg Festival performance and production. A performance can’t simply be “nice.” It has to be out of this world. A production can’t simply be a solid repertory utility production. It has to be for the ages, such a great production that opera houses all over the world will clamor for that production. In recent years, the Willy Decker Traviata started at Salzburg Festival 2005 and traveled to New York and now is a Met staple. Last year’s big hit was the Herheim Meistersinger.    Read more »

Bean counter

Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper. The live online telecasts begin with Wozzeck starring Simon Keenlyside on Sunday, October 6 at 1:00 PM EDT.   Read more »

That is what fiction means

A bio in need of perhaps a little minor retouching: “Anja Harteros is today one of the world’s most popular singers in her field and can be seen and heard performing on all the great opera and concert stages.” [Opera4u.com GmbH]

carlos

“Schau sie an, ein Gefangener der Gosse”

In a starling last-minute change of programming, the Salzburg Festival has canceled all further performances of the critically-reviled Peter Stein production of Don Carlos. Weltstars Anja Harteros and Jonas Kaufmann will instead perform My Fair Lady (pictured).

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trovatore_harteros

Nacht und Träume

We waited eagerly to hear the Munich-born Jonas Kaufmann make his role debut as Manrico at the Bavarian State Opera as well the German-Greek soprano Anja Harteros take on Leonora’s bravura difficult arias.

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harteros_nozze

It might as well be Einspring

Kate Royal withdrew as Mozart’s Contessa the other night (May 3) in Munich and we were forced to accept as substitute—gosh!—Anja Harteros

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More o’ Leonora

Since you so adroitly identified the voice of the mystery Leonora as Anja Harteros, La Cieca thought you might like to hear the soprano in the complete Act 4, Scene 1 of Il trovatore. 

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