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Cher Public

  • Jungfer Marianne Leitmetzerin: Party on! httpv://www.youtub e.com/watch?v=3Ibd nTeMGpM 11:46 PM
  • m. croche: Happy Birthday, Caro Batty! httpv://www.youtub e.com/watch?v=Jn9_ 6yINCy4 11:35 PM
  • ilpenedelmiocor: But that is precisely the point: those of us who live far from New York are NOT able to see... 11:31 PM
  • m. croche: Those primitive foreigners, amirite? 11:26 PM
  • danpatter: THANKS SO MUCH for posting this! What a terrific discovery, this should have been released on... 11:12 PM
  • DeepSouthSenior: I find myself agreeing with about one-third of what redbear says. This is really scary. Who... 11:00 PM
  • DeepSouthSenior: Interesting conclusion. Attack of the light bulbs and revenge of the killer drapery. 10:53 PM
  • Quanto Painy Fakor: Intermission - httpv://www.youtub e.com/watch?v=dVSd a6DN0c8 10:37 PM
  • Ruxxy: m. croche I wasn’t aware that we were talking about a race – I thought we were talking... 10:31 PM
  • Quanto Painy Fakor: In other words, she had very little experience when she was elevated to powerful... 10:30 PM

Auto-da-fair

The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer. Tickets are notoriously expensive and hard to get. Expectations are thus always extremely high for any Salzburg Festival performance and production. A performance can’t simply be “nice.” It has to be out of this world. A production can’t simply be a solid repertory utility production. It has to be for the ages, such a great production that opera houses all over the world will clamor for that production. In recent years, the Willy Decker Traviata started at Salzburg Festival 2005 and traveled to New York and now is a Met staple. Last year’s big hit was the Herheim Meistersinger.    Read more »

Bean counter

Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper. The live online telecasts begin with Wozzeck starring Simon Keenlyside on Sunday, October 6 at 1:00 PM EDT.   Read more »

That is what fiction means

A bio in need of perhaps a little minor retouching: “Anja Harteros is today one of the world’s most popular singers in her field and can be seen and heard performing on all the great opera and concert stages.” [Opera4u.com GmbH]

carlos

“Schau sie an, ein Gefangener der Gosse”

In a starling last-minute change of programming, the Salzburg Festival has canceled all further performances of the critically-reviled Peter Stein production of Don Carlos. Weltstars Anja Harteros and Jonas Kaufmann will instead perform My Fair Lady (pictured).

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trovatore_harteros

Nacht und Träume

We waited eagerly to hear the Munich-born Jonas Kaufmann make his role debut as Manrico at the Bavarian State Opera as well the German-Greek soprano Anja Harteros take on Leonora’s bravura difficult arias.

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harteros_nozze

It might as well be Einspring

Kate Royal withdrew as Mozart’s Contessa the other night (May 3) in Munich and we were forced to accept as substitute—gosh!—Anja Harteros

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More o’ Leonora

Since you so adroitly identified the voice of the mystery Leonora as Anja Harteros, La Cieca thought you might like to hear the soprano in the complete Act 4, Scene 1 of Il trovatore. 

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