Headshot of La Cieca

Cher Public

  • Bill: Feldmarschallin – Vienna used to have closed performances as well several in a season. Or once... 12:12 AM
  • mia apulia: Hell, the voice was certainly grand, the presence was grand, and the musicianship was grand. Why... 11:58 PM
  • Flora del Rio Grande: JohninSeattle: Thank you for that commentary; I interviewed S. J. at the time (early... 11:34 PM
  • Constantine A. Papas: Netrebko has arrived. Finally! Why now? Because TT and JJ are on the same page; both... 11:04 PM
  • overstimmelated: Not Billinghurst?? (Billing rhymes with “fulfilling& #8221;) … Did she leave her... 9:13 PM
  • DeepSouthSenior: In my limited experience, Polenzani is at his best among a gifted ensemble that’s... 8:20 PM
  • Benedetta Funghi-Trifolati: Ah! Marion Lippert! The torments she suffered. I saw all her Met roles (Senta,... 8:12 PM
  • peter: Hartig sang gorgeously last night. I haven’t heard such a beautiful lyric soprano voices in ages. 8:00 PM
  • la vociaccia: I’d say Polenzani is quite appropriately rated, actually. He has a very big career and he... 7:45 PM
  • MontyNostry: Ciccia, you make me seem so vulgar by comparison. 7:35 PM

Auto-da-fair

The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer. Tickets are notoriously expensive and hard to get. Expectations are thus always extremely high for any Salzburg Festival performance and production. A performance can’t simply be “nice.” It has to be out of this world. A production can’t simply be a solid repertory utility production. It has to be for the ages, such a great production that opera houses all over the world will clamor for that production. In recent years, the Willy Decker Traviata started at Salzburg Festival 2005 and traveled to New York and now is a Met staple. Last year’s big hit was the Herheim Meistersinger.    Read more »

Bean counter

Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper. The live online telecasts begin with Wozzeck starring Simon Keenlyside on Sunday, October 6 at 1:00 PM EDT.   Read more »

That is what fiction means

A bio in need of perhaps a little minor retouching: “Anja Harteros is today one of the world’s most popular singers in her field and can be seen and heard performing on all the great opera and concert stages.” [Opera4u.com GmbH]

carlos

“Schau sie an, ein Gefangener der Gosse”

In a starling last-minute change of programming, the Salzburg Festival has canceled all further performances of the critically-reviled Peter Stein production of Don Carlos. Weltstars Anja Harteros and Jonas Kaufmann will instead perform My Fair Lady (pictured).

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trovatore_harteros

Nacht und Träume

We waited eagerly to hear the Munich-born Jonas Kaufmann make his role debut as Manrico at the Bavarian State Opera as well the German-Greek soprano Anja Harteros take on Leonora’s bravura difficult arias.

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harteros_nozze

It might as well be Einspring

Kate Royal withdrew as Mozart’s Contessa the other night (May 3) in Munich and we were forced to accept as substitute—gosh!—Anja Harteros

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More o’ Leonora

Since you so adroitly identified the voice of the mystery Leonora as Anja Harteros, La Cieca thought you might like to hear the soprano in the complete Act 4, Scene 1 of Il trovatore. 

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