Headshot of La Cieca

Cher Public

  • MontyNostry: Addio, mio Carlo. http://parma.repub blica.it/cronaca/2 014/07/26/news/mor to_carlo_bergon... 5:04 AM
  • Feldmarschallin: Oedipe you might be interested to know that Tezier is doing Ernani at the BSO in 17/18. I... 4:59 AM
  • Feldmarschallin: According to the Bayern 4 Carlo Bergonzi has died at age 90. I heard him only once in a... 4:55 AM
  • WindyCityOperaman: Born on this day in 1856 playwright George Bernard Shaw httpv://www.youtub e.com/watch?v... 4:40 AM
  • steveac10: Yeah, their classification criteria are more than a little off. I’d love to see how it... 3:07 AM
  • Quanto Painy Fakor: Things are not going well in Rome either. On Tuesday the board of the Rome Opera will... 1:24 AM
  • la vociaccia: The Peter Grimes production was a huge musical achievement; unfortunately everyone hated the... 1:14 AM
  • Sempre liberal: Are they arguing for the return of Anthony Bliss (Boheme) or Bruce Crawford (Aida)? Granted,... 1:07 AM
  • la vociaccia: I wouldn’t call her top ‘free,’ ; when she’s confident and in her... 1:01 AM
  • FomalHaut: I hadn’t realized Le Comte Ory was reviewed so poorly; I thought the combination of Damrau,... 12:46 AM

The curse of drink

Two operas both alike in dignity, set in dimly lit Renaissance towns ruled by seething, conspiratorial courts. Parties blaze, alleyway shadows threaten, half the characters are spies or bravos for the other half, plus a few on spec. Love is in short supply, usually twisted. What these folks need is a competent social worker with a dagger-proof vest and a cast-iron stomach. What they get is melody to live upon and die upon, melody as rich and various as the forms of pasta.   Read more »

You don’t have to be Druids to love it

“The Met’s production, originally directed by John Copley, is still a hideous, confusing mess. But with Ms. Meade and Ms. Barton acting with moving subtlety, singing generously and feeling deeply, it was hard to care.” [New York Times]

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb, detailed after the jump. Read more »

vesper

Les vêpres de Westchester

The big news from Bel Canto at Caramoor’s presentation of Les Vêpres Siciliennes last Saturday is far from unexpected.

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angela_meade

Ed io quest’Angela osava maledir!

Angela Meade will sing the role of Leonora in tomorrow afternoon’s performance of Verdi’s Il Trovatore, replacing Patricia Racette, who is ill.

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ah_paris

New York has neon, Berlin has bars, but ah! Caramoor!

This summer at Caramoor, Will Crutchfield (not pictured) will conduct two Verdi operas written for the Académie Royale de Musique.

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meade_beatrice

Bea in the bonnet

Everyone who revives Bellini’s Beatrice di Tenda, as the Collegiate Chorale did at Carnegie Hall on Wednesday night, calls the piece an “overlooked masterpiece.”

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michael_spyres

The Beatrice generation

Beatrice di Tenda was a problem child, Vincenzo Bellini an alternately protective and disparaging parent.

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Who has more justification to wear a wifebeater?

Half full

Opera Orchestra of New York has announced their 2012-2013 season of only two performances.

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new_puritans

Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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