Opera Orchestra of New York (remember them?) will present Gaetano Donizetti’s Parisina D’este conducted by the company’s Founder & Music Director Laureate Eve Queler on May 4, 2016 at at Jazz at Lincoln Center’s Rose Hall. Soprano Angela Meade takes the title role in a cast that also features American tenor Aaron Blake, Chinese baritone Yunpeng Wang, Serbian bass Sava Vemic and American soprano Mia Pafumi. (Photo: Dario Acosta)
Continuing in its long and proud tradition of mystery and intrigue, Maestro Eve Queler‘s Opera Orchestra of New York has announced a concert or some other sort of music-related event for May 4, 2016. Read more »
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
Remember that time you went to the opera and the entire evening was perfection? Yeah, me neither: you get so close but there’s always something that detracts from total glory. My remembrances of LA Opera’s production of Bellini’s Norma will have no such detractions since the flaws in the performance where so minor compared to the whole I can easily dismiss them. Read more »
The Metropolitan Opera yesterday afternoon was an uncommonly cozy place, as the auditorium was packed to the rafters with friends and family members of the nine National Council Audition Finalists.
Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.
Two operas both alike in dignity, set in dimly lit Renaissance towns ruled by seething, conspiratorial courts.
“The Met’s production, originally directed by John Copley, is still a hideous, confusing mess. But with Ms. Meade and Ms. Barton acting with moving subtlety, singing generously and feeling deeply, it was hard to care.”
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.
The big news from Bel Canto at Caramoor’s presentation of Les Vêpres Siciliennes last Saturday is far from unexpected.