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Cher Public

  • Rackon: Angela is singing/sang Aida in Hamburg and Pitsburgh this year, she did something with Phillidelphia... 1:25 AM
  • Poison Ivy: sorry let me try this again: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU httpv://www.you... 1:12 AM
  • Poison Ivy: More from this performance: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU https://www.you... 1:11 AM
  • Poison Ivy: Galina Gorchakova. 12:43 AM
  • Porgy Amor: Then again, she must have known that she’d never have a night like this for her own retirement.... 12:43 AM
  • Rudolf: @ Poison Ivy Thanks for this posting of a younger Borodina Amneris. Warts and all. Do you know who... 12:38 AM
  • Porgy Amor: Well, this is an opera singer quip that goes back some ways, isn’t it? “The most... 12:36 AM
  • basso profundo: I may be late to this party but I just noticed that Elina Garanca has apparently written a... 12:26 AM
  • Poison Ivy: Poor taste, but … Entertaining to watch, no? 12:23 AM
  • Guestoria Unpopularenka: That’s beside the point. She’s had a history of attention-hogging. She... 12:19 AM

How monarchic was my sprezzatura!

“Yet the evening’s first words, heard in the set-piece Ombra ma fui—like all of Xerxes’ arias sung with monarchic sprezzatura and amoral relish by Stella Doufexis—came unexpectedly in Italian. It was flagrant violation of this house’s fundamental principle, here brushed aside by the cultural capital of the aria and deemed insufficient to sunder the inextricable bonds between the Italian text and Handel’s melody. It was as if the composer and his music, through his advocate Herheim, was holding ground at least at the outset against appropriation of his music by the moderns.”

Oh, what’s not to like in a review like this one?