“Els tenors José Cura i Carl Tanner cantaran el rol d’Otello en l’òpera de Verdi en substitució d’Aleksandrs Antonenko, qui ha cancellat la seva participació per raons personals. Les sopranos Ermonela Jaho i Maria Katzarava cantaran el rol de Desdemona a l’Otello de Verdi en substitució de Carmen Giannattasio, qui s’ha vist obligada a cancellar la seva participació.” [Gran Teatre del Liceu]
It’s official: in the Met’s new production of Otello, Aleksandrs Antonenko “will not use blackface makeup… breaking with a performance tradition of more than a century.” [New York Times]
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
“The Met’s production, originally directed by John Copley, is still a hideous, confusing mess. But with Ms. Meade and Ms. Barton acting with moving subtlety, singing generously and feeling deeply, it was hard to care.” [New York Times]
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.