Headshot of La Cieca

Cher Public

  • Porgy Amor: How do you know it’s from 1962, though? If one of the names is wrong, the date could be as... 3:51 AM
  • Ouf: Pews. 3:28 AM
  • Cicciabella: The 100,000 euro fee was quoted in relation to normal-sized, unamplified concert halls, not pop... 3:19 AM
  • Ouf: Karajan only led two Fidelio performances in 1962, one with Vickers, the other with Zampieri. See links... 3:15 AM
  • antikitschychick: Completely agree with you Porgy. Also, she has, what 2-3 years of experience singing on an... 2:54 AM
  • antikitschychick: “However, it was quickly apparent that despite all these natural endowments,... 2:41 AM
  • Porgy Amor: Vickers’s son (or one of them, if more than one) is adamant that this is not his father... 2:19 AM
  • Buster: Sad how such a production is allowed to go on without much to redeem it musically.But Dmitry... 2:17 AM
  • Porgy Amor: In Monastyrska’ s defense, while she’s not exactly a born stage animal, she can be... 1:57 AM
  • antikitschychick: Dawbrowski, this is a very cogent and thought-provoking post (and in my defense I did... 1:46 AM

A star is reborn

Let’s start with some refreshing news:  ”Poèmes” is the finest thing Renée Fleming has recorded in many a season.  This is not an obvious vanity project.  A collection of 20th century French orchestral songs in which Ravel’s “Shéhérazade” is the best-known item is probably a marketing executive’s nightmare, even with a soprano as iconic as Fleming.  But the end result is a marvelous showcase for this artist.  Along the way, she shines a spotlight on neglected masters deserving of greater recognition. Read more »