Headshot of La Cieca

Cher Public

  • La Valkyrietta: Thank you, zinka. How about the, as a gallic MMII would say, a Seulement Maria Mexico City... 4:11 PM
  • parpignol: PS one weird thing: what was the point of making all men check their backpacks, briefcases, etc... 3:56 PM
  • Vittelio Scarpia: Well, that’s making me more curious to see this Traviata… 3:56 PM
  • manou: Important observations: Pieczonka’s dress has more fanfreluches than the others, Gheorghiu gets... 3:55 PM
  • parpignol: no protesting last night; not even booing; seemed like a good crowd, fairly enthusiastic; and I... 3:53 PM
  • Lurker_del_Cairo: Yes AJ, thanks, I would never have seen it otherwise. 3:42 PM
  • zinka: httpv://www.youtub e.com/watch?v=5fZd gMXd82E& Galvany at 3:33 Who here can do this???????????... 3:38 PM
  • la vociaccia: She sounded, really, really bad though. I’m not arguing that she ‘doesn’ ;t... 3:32 PM
  • La Valkyrietta: How about this, mon cher Dabrowski? All wrong, perhaps, but not ridiculous at all. Exciting.... 3:03 PM
  • overstimmelated: There were comments on the amplification and balance by tancredipasero in another thread... 2:40 PM

A star is reborn

Let’s start with some refreshing news:  ”Poèmes” is the finest thing Renée Fleming has recorded in many a season.  This is not an obvious vanity project.  A collection of 20th century French orchestral songs in which Ravel’s “Shéhérazade” is the best-known item is probably a marketing executive’s nightmare, even with a soprano as iconic as Fleming.  But the end result is a marvelous showcase for this artist.  Along the way, she shines a spotlight on neglected masters deserving of greater recognition. Read more »