Cher Public

  • antikitschychick: Ach! Yet another blunder. Opera teen saw the same performance I saw since yesterday was the 28th. Apologies. I am... 2:04 AM
  • antikitschychick: sorry not a handful of times; but a handful of productions, with this one at the Met being her 7th, so more than a... 12:53 AM
  • antikitschychick: Found a good review of the November 28th performance, (same one Camille saw) by Opera Teen: https://operate... 12:30 AM
  • mrsjohnclaggart: And the very greatest Elizabeth Rethberg in 1925 with Freidrich Schorr in “O Sachs! Mein Freund” The story... 12:29 AM
  • mrsjohnclaggart: sorry, httpv://www.youtub d-axeLs and I AM in this one which starts earlier, Maria Reining, with... 12:19 AM
  • mrsjohnclaggart: Now, Batty, wasn’t there someone here who thought act three was the worst stretch in Wagner? Here is the Nazi... 12:15 AM
  • mrsjohnclaggart: Well, Kaiser seems to think it’s a city by city issue. I can’t guess what makes San Francisco so competitive... 12:07 AM
  • Batty Masetto: Lorenzo, I don’t want to cover ground that Greg Freed has covered so well already, but Friday’s performance... 12:03 AM

A star is reborn

Let’s start with some refreshing news:  ”Poèmes” is the finest thing Renée Fleming has recorded in many a season.  This is not an obvious vanity project.  A collection of 20th century French orchestral songs in which Ravel’s “Shéhérazade” is the best-known item is probably a marketing executive’s nightmare, even with a soprano as iconic as Fleming.  But the end result is a marvelous showcase for this artist.  Along the way, she shines a spotlight on neglected masters deserving of greater recognition. Read more »