Headshot of La Cieca

Cher Public

  • armerjacquino: It’s surprising that Bob Merrill is only really remembered as a lyricist now- he really... 6:58 AM
  • Constantine A. Papas: She meant to say that she was the only “pompousR 21; Afro-American soprano to... 2:49 AM
  • davenport: Not really what I would call a thrashing – but then this is what most people were hoping... 2:41 AM
  • La Cieca: This is one of my all-time favorite Broadway moments, and Alice Playten DEFINES star quality.... 12:39 AM
  • mia apulia: it is inspiring bronzino, that there are no “minority artists” for you–or... 12:39 AM
  • Krunoslav: Brava Alice Playten. As Alice Plotkin, she created the role of the child in the Met’s first... 12:39 AM
  • mia apulia: sh, phoenix, I remember Ella Lee very well from a wonderful recital, but I never got to hear her... 12:36 AM
  • warmke: There is. Otherwise known as: http://www.malabar .net/costumerental s.html Supplies most regional... 12:28 AM
  • Satisfied: http://www.nytimes .com/2015/04/21/th eater/review-renee -fleming-plays-aga inst-type-in-li... 11:26 PM
  • Satisfied: Not surprising but…The People’s Diva’s theatrical vehicle is getting a... 11:25 PM

A star is reborn

Let’s start with some refreshing news:  ”Poèmes” is the finest thing Renée Fleming has recorded in many a season.  This is not an obvious vanity project.  A collection of 20th century French orchestral songs in which Ravel’s “Shéhérazade” is the best-known item is probably a marketing executive’s nightmare, even with a soprano as iconic as Fleming.  But the end result is a marvelous showcase for this artist.  Along the way, she shines a spotlight on neglected masters deserving of greater recognition. Read more »