Headshot of La Cieca

Cher Public

  • ML: What? Why? He’s the only true French voice we have! I think long-standing Parterrians should be... 6:24 AM
  • LJ: here’s the SBS interview http://www.sbs.com .au/news/article/2 014/08/08/operas-h ottest-tenor-ho... 6:15 AM
  • manou: œdipe is on the naughty step – but I hope he will be back soon, holding hands with bassoprofundo. 6:15 AM
  • ML: Oedipe — où es-tu? 5:42 AM
  • ML: Well, as you suggest, there are not performances in French of comparable quality. This is ultimately the... 5:34 AM
  • La marquise de Merteuil: Cocky, I have to disagree re Goerke as Elektra. I didn’t attend last night as... 5:24 AM
  • lyrebird: Actually, the figures are worse than my rough estimates above. If anyone cares (and I’m... 5:19 AM
  • lyrebird: Sorry to disagree. The second concert in Sydney went on sale well before anything like the first... 4:59 AM
  • Cocky Kurwenal: I saw Elektra last night at the proms and seem to be at odds with everybody on Facebook and... 4:41 AM
  • Lohengrin: I also wondered about the way of PR. For exemple in Krumlov/Tchechien they offert JK in all... 4:40 AM

A star is reborn

Let’s start with some refreshing news:  ”Poèmes” is the finest thing Renée Fleming has recorded in many a season.  This is not an obvious vanity project.  A collection of 20th century French orchestral songs in which Ravel’s “Shéhérazade” is the best-known item is probably a marketing executive’s nightmare, even with a soprano as iconic as Fleming.  But the end result is a marvelous showcase for this artist.  Along the way, she shines a spotlight on neglected masters deserving of greater recognition. Read more »