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Cher Public

  • antikitschychick: evening all; just wanted to say a few words about the Cav/Pag from the Met which I saw the... 1:22 AM
  • RobNYNY: The Mad Scene from “The Barber of Seville.” Peters is very accurate in pitch and... 12:32 AM
  • steveac10: I can’t but admire Peters’ upper extension, but she has always left me cold... 11:58 PM
  • Sanford: I will say this about the Peters Una Voce Poco Fa. It is a very well sung example of a type I find... 11:41 PM
  • m. croche: Never attribute to oddity what can be explained by laziness. http://www.youtube .com/watch?v=xh... 11:35 PM
  • rossifigaro: certainly enjoyed the pag far more than the cav. did the cav really have to be sooo bleak.... 11:22 PM
  • Quanto Painy Fakor: L’enfant prodigue is certainly NOT forgotten. It’s required listening for... 10:59 PM
  • Quanto Painy Fakor: CORRECTION: The libretto of Debussy’s L’enfant prodigue was NOT by his dear... 10:51 PM
  • Ilka Saro: For those who wonder where the expression “overcadenze rized” came from… 10:07 PM
  • Sanford: I went to a Bat Mitzvah in Hollywood many years ago and because my cousin and her husband were in... 9:44 PM

Even smiling makes my face ache

Call it brio, joie de vivre, zest, élan vital, perhaps Lebenslust. You might even call it “fun.” But no matter what you call it, that’s not the mood Renée Fleming was in when she dropped in for lunch with Muse at Bloomberg.

So what’s the deal with the Dew Fairy?

And so in fact Renée Fleming, celebrated soprano, musical ambassador and riffmeister (known among the cognoscenti as “La Esilarante”) has followed through with her announced plan to collaborate with Chicago’s celebrated Second City comedy troupe, all in the name of opera reach-around, uh, outreach. Read more »