For me, the third act of La Bohème is the most important. Mimì, desperate to understand why her relationship is disintegrating, ventures to the outskirts of Paris to speak with Marcello. She wants to understand why her lover Rodolfo abandons her, turns from her, and accuses her of infidelity. When Rodolfo appears to speak with Marcello, she hides herself, and listens from a short distance. Rodolfo tells his friend that the real reason he wants to leave Mimì is because she’s sick, and he is poor; he doesn’t have the resources he needs to take care of her. He cannot bear to see her suffering, and not help.
Soprano Ailyn Pérez has been named the recipient of the 11th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera. The $50,000 award, the largest of its kind in the United States, is designated for “extraordinarily gifted singers between the ages of 25 and 40 who have already appeared in featured solo roles at the Met,” according to the Met’ press office. Read more »
La Cieca wants to be among the first to congratulate soprano Ailyn Pérez, who is the winner of the 2012 Richard Tucker Award. This prestigious prize, which has been referred to as “the Heisman Trophy of opera” (not by La Cieca, of course, but is confident there are others who use that sobriquet) carries the foundation’s most substantial cash award, of $30,000, and is conferred annually on an American opera singer at the threshold of a major international career. (Photo by Cory Weaver.)
American soprano Ailyn Perez made her Royal Opera debut last night on the company’s tour in Japan, singing two-thirds of the role of Violetta when the scheduled soprano, Ermonela Jaho, canceled after a rocky first act. (Jaho herself was a late substitute for the ever more elusive Angela Gheorghiu.) A witness to the performance says, “She was amazing and had grown men weeping at how naturally she inhabited the role.” La Perez will return to the return to the Royal Opera (this time in London) as Violetta and Liu.