Cher Public

Portrait of a lady

There’s hands-on and then there’s hands-on, and the latter was definitely in play in the lobby of the Kaye Playhouse just before Thursday night’s performance of La traviata by the Martina Arroyo Foundation’s Prelude to Performance program. There at the will-call table sat la Arroyo herself, elegantly draped in midnight-blue lace, stuffing envelopes with tickets and fielding questions from patrons. The diva puts on no airs or graces, but there is the indelible stamp of grandezza even in the way she licks an envelope. Read more »