Cher Public

  • NPW-Paris: Exactly where I’ll hear Sweeney Todd this Sunday. 7:24 PM
  • NPW-Paris: I heard it in a hot tent in Brussels with noisy ventilators and jet planes overhead, on their way to land. 7:01 PM
  • Operngasse: I first saw Much Ado in the Joseph Papp 1972 production with Sam Waterston and Kathleen Widows. Updated to early 20th century... 6:55 PM
  • NPW-Paris: Ayayay… grateful. 6:34 PM
  • NPW-Paris: I heard him in Rigoletto in Paris and agree with you: I was greatful for his generosity and risk-taking. 6:32 PM
  • quibbleglib: I’ve only seen him live once — in the Met Boheme — but in my experience, Fabiano is praised here because... 6:30 PM
  • NPW-Paris: Some people may be tempted to quote Dr Johnson: “Sir, a woman’s preaching is like a dog’s walking on his hind... 6:22 PM
  • kashania: Agree completely re: Camarena, Florez, Bellini and Rossini. 6:22 PM

Oh my God, Opera, you look amazing!

Lady Jane Grey“A cover article this weekend about choosing the Top 10 classical composers misstates, at one point, the length of time that opera had existed as of 1750, when Bach died. As the article correctly conveys in other references, opera had been around for roughly 150 years then, not ‘a half-century’.” La Cieca is sure the article’s author, Anthony Tommasini, 162, regrets the error. [NYT]