Headshot of La Cieca

Cher Public

  • Scazza: Teresa Stratas Renata Scotto Renee Fleming Lorraine Hunt Lieberson Hildegard... 8:54 PM
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The season approaches

the_final_countdown_single1With only 117 days remaining before the start of the Met’s 2010-2011 season, Olga Borodina has withdrawn from the revival of Les Contes d’Hoffmann.  Stepping into the gondola will be Enkelejda Shkosa. Yes, that’s right, the lineup of Hoffmann ladies will be Elena Mosuc, Hibla Gerzmava, and Enkelejda Shkosa — at a $420 top.

2010 season officially begins

rigoletto_thumbCarlos Álvarez has withdrawn from the Metropolitan Opera’s January 2011 performances of Rigoletto.

Veteran Verdian Leo Nucci will take on the title role for these five performances, including the Saturday broadcast.

Jungle booking

georgeLa Cieca has it on good authority that the new music director for the Santa Fe Opera will be Frédéric Chaslin (not pictured), who will preside over a 2011 season featuring Faust, La Boheme, Vivaldi’s Griselda, Wozzeck, and (you guessed it) The Last Savage.

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Mister Act

Above, the cutest press photo released today by the Met. (Juan Diego Flórez in the title role of Rossini’s “Le Comte Ory.” Photo: Micaela Rossato / Metropolitan Opera.) Following the jump: more preview images of the Met's other six new productions of the 2010-2011 season.   Read more »

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Abreast of the new season

Spring must be near, because the little birds are beginning to sing! After the jump, some very specific specifics about the 2010-2011 Metropolitan Opera schedule. Read more »

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Songs for the new depression

Washington National Opera in 2010-2011: dreary season, or dreariest season ever? [Washington Post]

Where’s Osvaldo?

Daedalus-and-icarus

The Metropolitan Opera commission Daedalus by Osvaldo Golijov seems to have slipped through the cracks, for now at least. According to the virtually always accurate Met Futures by Brad Wilber, the premiere of the work, planned for the 2011-2012 season, is not going to take place.

something sort of grandish

La Cieca hears that the “all 20th century” concept of the first Gerard Mortier season at NYCO may be subject to modification. According to an impeccably reliable source, the first season

will include a rarely-seen French Grand Opera and an evening centered around pieces of Verdi done with a double chorus – one all African-American, one all Caucasian that will tell stories of today’s New York. During the first season we can also expect a new Pelleas et Melisande, but the plan for Nixon in China has been abandoned due to Gelb’s producing it in 2010-11. NYCO and The Met are committed to being divergent – aiming toward no overlap in the repertory.

On the horizon for 2011-2012: a “massive” production of Billy Budd to feature Nathan Gunn in the title role for the first time in New York. . .  at The Park Avenue Armory.

 

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