Headshot of La Cieca

Cher Public

  • PushedUpMezzo: Here’s Massary in one of the hit numbers. httpv://www.youtub e.com/watch?v=E1Ya ows2b7I... 4:49 AM
  • Jungfer Marianne Leitmetzerin: QPF: My god! Thank you, thank you, thank you! I had no idea this even existed.... 3:59 AM
  • Feldmarschallin: I would be very careful with Sills Camille. To me her voice is like chalk on a board.... 3:12 AM
  • stevey: Hi Camille! :-) By all means, go with the Sills. Elisabetta is the one role which Sills herself said... 2:23 AM
  • guy pacifica: To me, Sills is the ultimate Elizabeth in Roberto Devereaux. But surely you know this, so this... 1:40 AM
  • Sempre liberal: I love the name Fritzi. Reminds me of Anna Kendrick’s character in Camp called Fritzi.... 12:42 AM
  • Guestoria Unpopularenka: Chere Camille, here’s something more unorthodox – Pendatchanska.... 12:36 AM
  • Quanto Painy Fakor: Finally, a better print of Pacific Overtures: httpv://www.youtub e.com/watch?v=M... 12:31 AM
  • Buster: Annette, das bezaubernde Fräulein, is how she is known in operettaland, Camille. 12:30 AM
  • Buster: Thanks for this interesting review Grimaldo! Enzo Bordello saw Dasch in this, I believe, and liked... 12:28 AM

No limits

The scene: a vocal audition, sometime in the past. A young, blond soprano approaches the podium. Her aria: “Un bel di.” She sings. Before she gets to the second “Chi sara” she’s rudely interrupted. Read more »

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

Low-fat Schoenberg

With orchestral and choral forces that could outnumber a small European village, Arnold Schoenberg’s Gurre-Lieder is a composition designed to overwhelm. The young composer was intent on cashing in on the pre-World War 1 fad for gigantism that spawned such works Mahler’s Eighth Symphony and on exploring a full palette of human emotions and natural wonders in a single evening. His fin-de-siècle oratorio deploys upward of 300 performers and contains a kitchen sink of effects, including trombone glissandi, percussion with chains and a surreal spoken “melodrama” about the transformative Nordic wind.   Read more »

sills

La voce sua soave

At Camille‘s request, here’s some all-American Bellini from our dear Jungfer Marianne Leitmetzerin: a live performance of I puritani from New York City Opera featuring Beverly Sills.

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Bouffes_parisiens

You are most kind

In fact, as Madame Vera Galupe-Borszkh used to say, “you are every kind.” Enjoy commenting on off-topic and general interest subjects, cher public.

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grimes_amazon

On the beach

The sea, the sky, the wind, the storms that are so frequently depicted in the music of Benjamin Britten are brilliantly illuminated in the new DVD of Peter Grimes on Aldeburgh Beach, a collaboration between Aldeburgh Music, film director Margaret Williams, and stage director Tim Albery.

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most-happy_1

Big D-elight

Who is the most happy fella, he who perfectly fits societal definitions of fitness and attractiveness, or he who attains self-acceptance in spite of whatever personal idiosyncrasies he may confront?

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June Anderson

Till there was June

After her marvelous Pat Nixon at the Théâtre du Châtelet  two years ago, June Anderson returned there last Wednesday with pianist Jeff Cohen for a recital of French melodies and Broadway songs.

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wrecking

Wrecking ball

On the evidence of the trailer for the Baden Baden Festival, the upcoming new Met co-production of Manon Lescaut by Sir Richard Eyre (and who better to direct a German/American production of an Italian opera set in France and Louisiana than a Brit?) looks to be a fairly straightforward, if drab, update to circa 1940.

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ballopallooza

Ballopalooza!

With the Met season soon to finish, I am sure many will want to unwind with a little after party/masked ball.

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