“…it’s not enough that The Consul is an inch-deep trivialization of one of the most momentous and agonizing events of the modern era, Eastern Europe’s (ongoing) struggle against totalitarianism…. Menotti, astonishingly, managed to ratchet up the outrage even further: He wrote an opera ostensibly about the horrors of dehumanization in which the empty characters exist only to be manipulated for his ulterior motives. That’s one hell of a sick irony.” [Seattle Weekly]
UPDATE: Complete press release after the jump! You know La Cieca will be following NYCO’s press conference starting today at 1:00 pm. The Twittering community will carry live updates from the event, and you, the cher public, can follow the tweets after the jump. Read more »
The celebration of 50 years of the Mostly Mozart Festival at Lincoln Center includes “The Illuminated Heart,” a theatrical fantasy of Mozart operas and ensembles featuring Christine Goerke, Ana María Martínez, Matthew Polenzani and Peter Mattei; plus staged concerts of Così fan tutte and Idomeneo. Tickets and more information are at MostlyMozart.org. Read more »
The Australian conductor and authority on the operas of Janácek and Mozart died earlier today in London. He was 84.
Hey, remember how New York City Opera threw this big gala last fall to salute the billionaire teabagger, Astroturfer and enemy of Net Neutrality David H. Koch? Now, La Cieca is sure that in the intervening months you have been asking yourself, “What could NYCO possibly do to top this ill-advised exaltation of someone who really doesn’t deserve to be honored? Who could NYCO possibly find who would be a less popular and appropriate target for veneration?” I warn you, cher public, you are not going to believe who the honoree is for the spring gala.
“Mr. Okulitch and Mr. Hardy have matching black briefs over which they each wear half of a single suit: Giovanni, the jacket; Leporello, the pants. When they switch identities, they trade suit parts, again a vivid metaphor, and made more striking because both singers are so buff.” [NYT]
The Metropolitan Opera commission Daedalus by Osvaldo Golijov seems to have slipped through the cracks, for now at least. According to the virtually always accurate Met Futures by Brad Wilber, the premiere of the work, planned for the 2011-2012 season, is not going to take place.
“The answer, he decided, was obvious: an opera. In typical Burning Man fashion, as he was standing in line at the port-a-potties, describing this epiphany to…” [CNET]
La Cieca is delighted to wake up to some wonderful, uplifting news. No, not about the balloon boy; turns out that was a hoax anyway. This “rescue” is for real. Amore Opera, successor to downtown institution Amato Opera, will present its first full production, Puccini’s La Bohème opening on Friday, December 11th at the Connelly Opera House, 220 E. 4th Street, New York City and continuing until Sunday, January 3rd, 2010. The company will continue performances in the new year with The Merry Widow, The Magic Flute and Hansel and Gretel, as well as a series of capsule “Family Briefs” […]
Congratulations to our two winners of the Rosenkavalier essay contest. The lovely rysanekfreak came in first in the “Ja, Ja” division, while Tristram Minstrel was judged the most astute of the many “Nein, Nein” sayers. Our rysanekfreak will be sent the new Decca DVD of the opera starring La Fleming, Sophie Koch, Diana Damrau, Franz Hawlata and Jonas Kaufmann under the prodigious baton of Christian Thielemann. (Please, rysanekfreak, email La Cieca for further instructions on how to be sent this prize.) And a copy of the Sony CD release of the classic Leonard Bernstein version, with Christa Ludwig, Gwyneth Jones, […]