Cher Public

  • Pia Ngere-Liu: My aunt was once walking out of a performance of Der Rosenkavalier when she overheard one elderly lady telling her friend:... 12:44 AM
  • Quanto Painy Fakor: The links for the astonishing new Covent Garden LUCIA are on the Russian site. Lucia and Edgardo are having... 12:36 AM
  • Poison Ivy: The Decker Traviata stage is raked. The first year Marina Poplavskaya walked the raked stage without stockings and in 5 inch... 11:43 PM
  • pirelli: That stage didn’t need to be raked, it needed to be bulldozed. 10:19 PM
  • DeepSouthSenior: For the ultimate in multipurpose use of a raked stage, how about the slalom races on The Machine in the Lepage Ring? 10:14 PM
  • pirelli: “Should [Levine] have read something into the the on-stage projections of the Chereau production? Klytemnestra would... 10:13 PM
  • pirelli: But in the case of Satyagraha, the titles were sporadic – just hints of some of the text, not a complete set of titles as... 10:05 PM
  • Satisfied: House of the Dead, Lulu. 9:58 PM

We were dead, you know

The setting: a dark plaza extending directly in front of a storied opera house. The time: just after a ho-hum revival of something Puccini. The crowd streams out, moderately satisfied but also far from bowled over. A group open to a proposition, you could say.   Read more »

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »