Headshot of La Cieca

Cher Public

  • rapt: Wow! Thanks so much for posting this truly illuminating– ;and touching, I think–articl e. 2:12 PM
  • La Valkyrietta: To illustrate the phrase “from the ridiculous to the sublime”. httpv://www.you... 1:41 PM
  • Vittelio Scarpia: Paul Curran, the director who will stage the new “La donna del lago” next year... 1:37 PM
  • La Valkyrietta: Dabrowski, Your question, “Is the Wagner “heavier” and appropriate only for dramatic... 1:32 PM
  • armerjacquino: Not sure ‘crossover&# 8217; is the right word. She performs all kinds of music but her... 1:31 PM
  • Hippolyte: The couple of times I’ve heard Jagde I thought he was monotonously loud and lacking in... 12:22 PM
  • la vociaccia: Correction: That crossover soprano they had playing the British dancer with the halter top... 11:49 AM
  • la vociaccia: I’m not getting involved in that debate right now – It’s too damn nice out.... 11:41 AM
  • laddie: I saw him sing the role in Santa Fe as well; don’t agree that he stole the show (the set... 11:36 AM
  • overstimmelated: What about protesting the fact that singers are amplified at the Met? (They are,... 11:34 AM

We were dead, you know

The setting: a dark plaza extending directly in front of a storied opera house. The time: just after a ho-hum revival of something Puccini. The crowd streams out, moderately satisfied but also far from bowled over. A group open to a proposition, you could say.   Read more »

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »