Cher Public

  • zinka: Regina Resnik was born on Aug.30, 1922. She became one of the greatest artists in the world of opera. As soprano/mezzo in a... 12:50 AM
  • Krunoslav: ‘And if the Met does Parsifal as scheduled in 2018, wouldn’t Goerke or maybe Nina Stemme be the only viable options at... 10:45 PM
  • Jungfer Marianne Leitmetzerin: I was at the third performance. Fucking brilliant production, if a bit wobbly vocally. (Volle totally blew... 10:44 PM
  • zinka: What went wrong? Didn’t Beverly Sills once say that she would rather have 5 years of Callas than 25 of her? Well, I do agree... 10:36 PM
  • Signor Bruschino: Just finished the Antonia act & its fucking brilliant. Thank you La Cieca… Really a sin that NYC has not... 8:41 PM
  • La Cieca: I’m worried that Matthews is heading the same way as Emma Bell To ruin three seasons of Mozart revivals at the Met? 7:42 PM
  • Baltsamic Vinaigrette: Or indeed oedipe to… Oops. Better not mention oedipe. 6:05 PM
  • armerjacquino: Having watched the livestream of this ENTFUHRUNG I’m worried that Matthews is heading the same way as Emma Bell- a... 5:41 PM

We were dead, you know

The setting: a dark plaza extending directly in front of a storied opera house. The time: just after a ho-hum revival of something Puccini. The crowd streams out, moderately satisfied but also far from bowled over. A group open to a proposition, you could say.   Read more »

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »