Cher Public

Porgy Amor

A cynical member of Generation X, Louisville native Todd Koenig rejected a society that told its youth the answers could be found in the MTV video games. His exploration of 20th-century popular music led to a study of piano and a love of jazz. In his twenties, he began to listen to classical music – first symphonic works, chamber music, and keyboard literature, then song cycles, masses and oratorios. Five years into that period, he ventured into one of the few remaining uncharted territories: opera. He has familiarized himself with the standard repertory and much outside of it, and has advocated the art form to friends his age or younger who love music and theater. Since September 2015, as “Porgy Amor,” he has written reviews, history and think pieces (sometimes all at the same time) for parterre box. The opera he loves above all others is Verdi’s Falstaff, which he has described as the work of a very old man, with which a listener can grow old.



Life is like a train

“In my music, there’s not repetition. Something is always going on. It’s a very important point, and each time you use the word ‘repetition’, it enforces an idea that’s not true.” Read more »

Water, logged

So, how excited are you to read another piece about the Mary Zimmerman Rusalka? And to read even more from me about Dvorák’s RusalkaRead more »

Devil may not care

The subject of timidity has been in my thoughts in these waning days of February 2017. One would almost think there had been some big announcement recently, preceded by a series of smaller ones, to turn a U.S.-based opera fan’s thoughts in this direction.  Read more »

The leggy movie

This Met’s second production of Berg’s 1935 opera was the hot topic of November 2015.

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The sprite in you

Today’s Rusalka video overview covers filmed performances of Dvorák’s opera since 2010.

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White blossoms scorched by the sun

While some once-popular Met operas have fallen into neglect in the past quarter century, Rusalka has returned regularly since its 1993 premiere.

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Does whatever a spider can

The beautiful singing here is less in the sound than in the way the voice moves.

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Traveling music

Andrea Andermann is the veteran film producer who had the notion to assemble top-flight talent from the worlds of music and cinema for a generously funded film of Tosca.

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Dirty dancing

The DVD of Thomas Agerfeldt Olesen‘s 2013 opera The Picture of Dorian Gray.

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There arose such a clatter

With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.

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