UPDATE: I am now rushing to make a 3:00 flight. Details of the press conference cannot be divulged until 2:00 PM CST. Check back here at parterre for the tidings! Read more »
Fellow sitcom junkies may remember the episode of Modern Family where Gloria Pritchett, Sofia Vergara’s character, describes her relationship with her ex-husband: “It seemed like all we did was fight and make love, fight and make love, fight and make love. One time, I’m not kidding you, we fell out the window together.” Throw in a trio of murders and a healthy splash of vodka and you have, more or less, the plot of Shostakovich’s Lady Macbeth of Mtsensk. Read more »
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
Verdi’s Macbeth poses a challenge to any company with the audacity to mount it. It’s layered and fascinating, but it needs a strong cast of singers and a director with a clear-cut purpose to do justice to Verdi, Shakespeare, and convey the deep-seated drama in the music and libretto. In another installment of the Teatro Regio di Parma’s “Tutto Verdi” series, the small, ambitious house gives a performance that almost perfectly achieves those goals. Read more »
There’s something charming and almost irresistible about early Verdi opera. I always equate it to seeing a grade school test from Albert Einstein.
Verdi’s only successful comic opera, Falstaff, is notably hard to produce.