Headshot of La Cieca

Cher Public

  • WindyCityOperaman: Born on this day in 1842 composer Carl Zeller httpv://www.youtub e.com/watch?v=AXWW Ey2K9Hw... 9:14 AM
  • emeraldlulu: I take issue with the fact that you are blaming the miking on the singers’ inability to know... 9:13 AM
  • Will: I formed a rather better opinion of this opera via the Manhattan School of Music’s 1997 recording with... 8:56 AM
  • semira mide: Did you really think Manucharyan performed well? I went to two performances sitting once in the... 8:53 AM
  • semira mide: oops, sorry for the editing gaffe. It should read “she was really quite wonderful. We came to... 8:51 AM
  • aulus agerius: I thought Amanda Forsythe was excellent in the Boston Tancredi as was Eva Podles not to mention... 8:51 AM
  • semira mide: Yes she sang Amenaide. She was really quite )ear Podles,and were delightfully surprised by Forsythe.... 8:49 AM
  • armerjacquino: It’s still Myra Beth Genis, as it was last time you asked. 8:24 AM

Deliberate cruelty is unforgivable

For the second performance of Renée Fleming‘s “Perspectives” performances at Carnegie Hall she chose a semi-staged version of André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.  Bravo to her for choosing an opera based on an American subject matter that had yet to be presented in NYC!  Bravo to her for arriving at a level of celestial operatic stardom that allows her to cherry pick all manner of repertoire for her own series of concerts presented at Carnegie Hall!

And yet… Read more »

Wigs and weaves

It’s easiest to write reviews when there are soaring triumphs and miserable failures. This is true in any field.  One need only look back at the review of Birgit Nilsson‘s legendary debut as Isolde in 1959 or Pete Wells‘ much more recent takedown of Guy Fieri‘s “restaurant” in Times Square.   Read more »

The man in the ironic mask

The realization of the opera Un ballo in maschera by Verdi and the librettist Antonio Somma is almost as famous as the opera itself. Based on the play Gustavus III by Eugène Scribe, it is very loosely based on the murder of the aforementioned enlightened despot by a disgruntled military officer during a masked ball at the Stockholm Opera House.   Read more »