Christian Gerhaher does not appear at first to sing but rather to speak on pitches, telling stories, explaining words by lingering on them or biting them off short. Read more »
How often do you hear Macbeth with four really good singers in its four big roles? Not every day, right? It’s a tough scone to crack. Read more »
Seville bills itself as the “City of 150 operas,” and celebrated this fact at the Exposition of 1992 by erecting a magnificent new opera house, the Teatro de la Maestranza, right beside the Plaza de Toros. The seasons of the two theaters do not overlap. Next month, there will be a rare staging of an opera buffa by local boy Manuel Garcia, renowned for being the first to bring opera to New York, with his teenage daughter La Malibran. Read more »
This year’s treat was Vittorio Gnecchi’s Cassandra, completed around 1905
David Lang is, per The New Yorker, a “postminimalist enfant terrible.”
You may wonder what Rachmaninoff’s Aleko and Leoncavallo’s Pagliacci have in common.
You don’t often hear the grand operas of Benjamin Britten on smaller stages.
Ezio was an inspired choice for Boston’s feisty Odyssey Opera to open its “When In Rome” festival.
The grand illusion is that we know it all. From four hundred years of opera, we’ve distilled the worthy survivors.