Headshot of La Cieca

Cher Public

  • DeepSouthSenior: Black leather (or something leather-like), a short skirt, and boots cover a multitude of... 11:25 PM
  • m. croche: httpv://www.youtub e.com/watch?v=sFFp zip-SZk 11:10 PM
  • DeepSouthSenior: Singers who conduct (some of them, anyway) remind me of the old joke about the question... 11:04 PM
  • zinka: Placido sounds like neither tenor OR baritone…NO QUALITY…..I have heard him do other... 10:36 PM
  • DellaCasaFan: Heidi Melton also paid tribute to her on CNN. She is on the photo (“three... 10:21 PM
  • armerjacquino: I was coming here to post this and I’m so glad someone has already done so. Beautiful... 8:51 PM
  • Baltsamic Vinaigrette: Natalie Dessay performed in Dublin tonight with regular partner (and 1985 Dublin... 8:44 PM
  • Lady Abbado: Thanks; just ordered “Demented 221; (1 cent the book; 6.49 dollars the shipping) :) 8:20 PM
  • lacotestandre: Thanks for posting Cargill’s touching tribute. It says lots about Radner and the often... 8:15 PM
  • Camille: Wise choice. One may also hear the souffleur ad alta voce. Time to say goodbye, adios, auf... 8:11 PM

Et in Arcadia, libido

A performance space called the Sheen Center has opened its doors way down the far end of Bleecker Street, a stoner’s throw from where CBGB’s used to thrive beside the itsy-bitsy Amato Opera House. (You never forget your first Oberto, Conte di San Bonifacio.)  Sheen Center, sizable and modern and slim on personality, contains two theaters. The smaller one is the Sheen Center Blackbox (18 Bleecker), and it is just the right size (except it lacks a pit) for chamber-scale opera performance. Read more »

Lips together, teeth apart

The enigmatic half-smile that gives its name to Leonardo’s “La Gioconda” or Mona Lisa, his most famous painting, has been fancifully credited to many emotions. Is the lady daydreaming or flirting or pondering one of the painter’s anatomical diagrams? It has recently been suggested that she is Leonardo himself in drag, savoring a joke at our expense. Mr. Peabody, that Leonardo among canines, claimed she was suffering from toothache, and (as usual) he and his Wayback machine saved the day—it is true that until the advent of scientific dentistry, portraits were never painted with parted lips.   Read more »

Trigger warning

The Rape of Lucretia, now (through Sunday) enjoying a superb three-performance run at the Juilliard Opera’s Willson Theater (tickets are scarce; hie thee to the waiting list), was Benjamin Britten’s third opera and first “chamber opera,” composed for the tiny original theater at Glyndebourne. As chamber opera was to prove a Britten specialty, it draws one’s particular interest.  Read more »

Donna 1

One for the woad

Ellen Douglas finds herself in Act II of Rossini’s La Donna del Lago in the far from unusual operatic position of having her love claimed by two impassioned tenors in the bel canto version of a macho drag race.

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Ying Fang

Mourning becomes Iphigenia

Gluck’s Iphigénie en Aulide (1774), the occasion of his Paris debut, gets far less respect than her sequel, Iphigénie en Tauride.

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Derek Lee Ragin

Alt folks at home

A Countertenor Cabaret, starred no fewer than 14 of these once-rare songbirds, in the cabaret space of the Duplex on Sheridan Square.

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Enchanted Wanderer

A Magnetizer and a Wandering Goy walk into a bar

The visit of the Mariinsky Theater’s resident company to the glittering opera house of the Brooklyn Academy of Music consists of three ballet programs with starry casts preceded, last night, by a single performance of Rodion Shchedrin’s opera, The Enchanted Wanderer. 

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Costanzo

Isn’t it necromantic?

St. Paul’s Chapel is the perfect site for Saul, Handel’s finest dramatic oratorio.

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Tamburlaine

The year in Yohalem

My memory is fading but the events I recall most vividly of the last season seem largely to have been concert performances.

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dagger

Daggers are a thane’s best friend

A Birnam Wood of Macbeths and Ladys has come traipsing through New York this year.

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