Aribert Reimann’s 1978 opera Lear, based of course on Shakespeare’s titanic tragedy King Lear, is a major achievement in modern operatic scoring. In a DVD from a deeply interesting 2014 production from Staatsoper Hamburg, we find a fascinating if flawed direction by Karoline Gruber, propulsive and insightful conducting from Simone Young and a breakthrough performance by Bo Skovhus in the title role.
Shakespeare’s Lear has been an important part of my acting career. I’ve had the great good fortune to perform in eight productions of King Lear (three Lears, two Fools, Gloucester, Albany, and the Duke of Burgundy) and the title role contains such depth and complexity that I’d love to play it again and again. I had real concerns about how this astonishing drama could be adapted into an operatic form. Read more »