Cher Public

Henson Keys

Henson Keys (AKA “actfive”) is a Chicago-based actor and director who fell in love with opera while working for the Met Ticket Service in NYC in the early 80’s. An Equity actor since 1974, he has performed in over 130 roles in New York and regional repertory including 46 productions of Shakespeare. From 1999-2015 he was Chair of Acting Programs at the University of Illinois, Urbana-Champaign, having previously led programs at Ohio University and the Alabama Shakespeare Festival. He also writes opera CD/DVD reviews for Opera News.



Plus a little jest

Verdi’s Rigoletto returned to Lyric Opera of Chicago on Saturday night in a “new-to-Chicago” production seen previously in San Francisco. It was a rousing performance both musically and dramatically, featuring glorious performances in the three leading roles and potent, portentous playing by the Lyric Opera Orchestra under Marco ArmiliatoRead more »

You were dead, you know

Lyric Opera of Chicago opened its 2017-18 season on Saturday evening with a new production of Gluck’s Orphee et Eurydice in the 1774 Paris version. A co-production with Los Angeles Opera and Staatsoper Hamburg, the production marks the first collaboration between Lyric and the Joffrey Ballet, whose members performed the extensive dance passages that were expanded for the Paris version.  Read more »

Fair game

I consider myself one of the last “opera snobs” who objected mightily to Lyric Opera of Chicago’s five-year-old series of adding a Broadway musical to the end of every season. Even my friend, the late great Jason McVicker, cancelled his Lyric subscription when it became clear that this was to be a once a year event. But even Jason caved, for Showboat as I recall.  Read more »

Just duet

Lyric Opera of Chicago presented a highly anticipated joint recital featuring tenor Lawrence Brownlee, bass-baritone Eric Owens, and accompanist Craig Terry.

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Les feuilles mortes

Lyric Opera of Chicago concluded its 2016-17 season with a spellbinding and wonderfully sung production of Tchaikovsky’s familiar Eugene Onegin

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Occult following

Radvanovsky delivered a vocal and histrionic performance that should be the gold standard Norma for years.

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Winning streak

Like our beloved Cubs, Chicago Lyric Opera is in the midst of a championship season.

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Troy story

Lyric Opera of Chicago rose to the challenges mightily in its first-ever performance of Les Troyens.

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‘Tis new to thee

Donizetti’s bel canto masterpiece Lucia di Lammermoor returned to Chicago Lyric Opera on Saturday evening.

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Better call Saul

Director Barrie Kosky’s Glyndebourne 2015 production of Handel’s 1739 oratorio Saul (released on Opus Arte DVD) shows imagination as well as a strong cast and design team.

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