Cher Public

Christopher Corwin

Christopher Corwin began writing for Parterre Box in 2011 under the pen name of “DeCaffarrelli.” He has lived in New York City for over 25 years where he attends opera and other performing arts events regularly. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. Thanks to the rich collection of LPs at his local library he learned and grew to especially love 17th and 18th century opera.

Fifty shades of gold

Anticipation of events like the Metropolitan Opera’s 50th Anniversary bash turns me back into the newly opera-soused kid who begged his parents to let him watch the highlights of the Bing Gala on the family color television since the little black-and-white set in my bedroom just wasn’t good enough. (They agreed!)  Read more »

Angry in a noble manner

Earlier this year John Yohalem ruminated here on the paucity of Vivaldi operas in the US. “Trove Thursday” attempts a bit of a remedy with a live Motezuma (not a typo) I attended in Paris ten years ago conducted by Alan Curtis with Karina Gauvin, Sonia Prina, Mary-Ellen Nesi, Vito Priante and Ann Hallenberg (as Hernán Cortés!).  Read more »

One Handel, one heart

I don’t usually attend a performance of an opera I’ve known well most of my life expecting a revelation, but exactly that happened Sunday afternoon at The English Concert’s presentation of Handel’s Ariodante conducted by Harry Bicket and starring a sovereign Joyce DiDonato in the title role.  Read more »

The song is you

Met audiences might have to wait a very long time for Die Meistersinger von Nürnberg.

Read more »

Gewitter und Sturm

The wild tempest that whipped and drenched the audience as it exited the Met after Tuesday’s season premiere of Wagner’s Der Fliegende Holländer mirrored the finer features of the evening.

Read more »

Spin the dial

After the jump, a quiz featuring 15 singers performing Senta’s Ballad.

Read more »

Haydn in plain sight

Although his operas don’t get much love, Haydn often wrote beautifully for the voice.

Read more »

Same steppes, different dancers

Is there a more gorgeous male voice before the public today than Peter Mattei’s? Has Anna Netrebko ever sounded better?

Read more »

Through a glass vaguely

Any production of Der Rosenkavalier that can transform the usually excruciating first half of the third act into a hilarious romp already has my vote.

Read more »

Their sound is gone out into all lands

“Trove Maundy Thursday” offers a recent un-HIP version of Handel’s Messiah.

Read more »