Cher Public

Christopher Corwin

Christopher Corwin began writing for Parterre Box in 2011 under the pen name of “DeCaffarrelli.” He has lived in New York City for over 25 years where he attends opera and other performing arts events regularly. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. Thanks to the rich collection of LPs at his local library he learned and grew to especially love 17th and 18th century opera.



Goodbye, gorgeous!

“Too much gorgeousness!” I’m paraphrasing my friend’s riposte after he sheepishly asked whether I minded if he fled at the intermission of Les Arts Florissants’s all-Charpentier concert at Alice Tully Hall Thursday night. “But it’s gorgeous” was my initial response to him, but I knew exactly what he meant. Can a surfeit of pleasure become—in the end—unsatisfying?  Read more »

Woman on the Vergy

To correct the relative dearth of serious bel canto here “Trove Thursday” offers the 92nd of Donizetti’s 137* operas, Gemma di Vergy, from Bergamo the composer’s birthplace with the lovely, largely now forgotten Adriana Maliponte in the title role.  Read more »

Drunk in both head and heart

In the two weeks since it appeared Patrick Clement James’s fascinating inquiry into the cult of diva worship via James McCourt’s Mawrdew Czgowchwz has been much on my mind. By serendipity this week’s “Trove Thursday” (scheduled before Patrick’s piece was published) offers Benjamin Britten’s Death in Venice, an opera also concerned with the quest for an aesthetic–and erotic–divine and featuring Anthony Rolfe Johnson, one of my very favorite divos.  Read more »

Dramatic ARC

Wednesday brought Christopher Alden’s grimly dark and violent take on Handel’s Aci, Galatea e Polifemo at National Sawdust.

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Czar search

The highlight of this year’s Bard Summerscape festival must be a rare staging of Dvorak’s Dimitrij.

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Iris, hence away

Endlessly extricating her from existing contracts then negotiating new ones must make being Sonya Yoncheva’s manager the hardest job in the music business.

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The zoo story

A week from Saturday Will Crutchfield’s “Bel Canto at Caramoor” ends a 20-year run with Il Pirata.

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Out of the depths

“Trove Thursday” provides a live broadcast of Mozart’s rarely performed cantata Davide Penitente by Les Arts Florissants conducted by William Christie.

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For a few dolors more

LoftOpera’s accurately but unpromisingly named Pergolesi & Vivaldi stumbled rather than soared.

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Composer’s intentions

A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.

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