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Cher Public

  • Lohenfal: The Met is broadcasting the March 7 performance with Kaufmann and Garanca over the radio. Since... 8:58 AM
  • phoenix: Everyone who is still coherent (that does not include me) please enter this quiz –... 8:54 AM
  • DellaCasaFan: 7) Sena Jurinac I think Rysanek was earlier, 3) “Doch toben auch…” 8:46 AM
  • WindyCityOperaman: Born on this day in 1654 composer Agostino Steffani httpv://www.youtub e.com/watch?v=8... 8:23 AM
  • Feldmarschallin: Rysanek was there as well as Frida Leider who was also towards the end. 7:58 AM
  • Feldmarschallin: Yes I agree Oedipe. There are other singers who seem to be content with singing in Europe... 7:55 AM
  • oedipe: Indeed. We need Alagna in (Continental) Europe. Why waste his time on long stays in NY, for second... 7:24 AM
  • Will: What I have not seen discussed here yet is that the MET has started spending down the endowment. Such... 7:16 AM
  • Hippolyte: #3 is Marilyn Horne, and I think I hear Rysanek toward the end, possibly #16? 7:08 AM
  • Lohengrin: sorry: expensive… Met should breadcast one of the Carmens with Garanca and Kaufmann instead... 7:05 AM

Mad about the boy

Rosenkavalier DVD CoverIt’s easy to see why the Met has chosen to include this 1982 performance of Der Rosenkavalier in their James Levine: Celebrating 40 Years at the Met – DVD Box Set: the marathon evening is a triumph for Levine from the frenzied blend of waltz melodies in the overture to the final, birdsong-like notes of hope at the end of Act III.

Levine is confident and animated throughout the performance, which is spread out over two DVDs. Of course, Levine is always an excellent musician, but this Rosenkavalier reminded me how exciting he and the Met orchestra can be when they throw themselves wholeheartedly into a piece as rich and moving as this one.  Read more »

Blonde date

acis_amazonYour feelings about the new Opus Arte DVD of Handel’s Acis and Galatea will have a lot to do with your tolerance for gentle whimsy. As a cultural consumer who tends to gravitate toward the more high-octane, Italianate drama of a Verdi overture or a Real Housewives of New Jersey hair-pull, I do my best to steer clear of pastoral operas about the lives and loves of those who tend sheep for a living, but an assignment is an assignment. 

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The bad and the beautiful

terfel_bad_boysPackaged with a peek-a-boo cover exposing only Bryn Terfel’s lovely left eye (the effect of turning the page to reveal the Welsh bass-baritone’s head in its entirety brings to mind this Encyclopedia Dramatica entry) and an oddly hip-hop-flavored gray-on-black treatment of the album’s title, Terfel’s Bad Boys seems designed for those who like their divos naughty.  Read more »

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The People’s Courtesan

Like Liza Minnelli at the Palace or Nomi Malone in Goddess, Renée Fleming‘s Thaïs is better understood as diva event than Gesamtkunstwerk. It’s an opportunity to watch a star lady do her voodoo in a work that exists largely to showcase her glamour and appeal.

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Nose candy

The indisputable star of the new Naxos DVD of Franco Alfano’s Cyrano de Bergerac, filmed at the Palau de les Arts ‘Reina Sofia’ in Valencia and directed by Michal Znaniecki, is, as in all other stage, operatic and film adaptations of the Cyrano story, the enormous prosthetic nose worn by the title character. The nose in this production — a 5-inch, vaguely beak-like stunner — works beautifully in tandem with its stage partner, tenor Placido Domingo, who himself delivers a strong, emotive vocal and acting performance in what liner notes state is the 121st new role of his career.

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A Fly in Her Ear

Opera and comedy can be a very awkward match. Despite the number of comic operas in the standard rep, most opera fans don’t seek out a local production of, say, Die Entführung aus dem Serail because they need a giggle and 30 Rock is a repeat that night. And so the 1997 Opéra National de Lyon production of Offenbach’s Orphée aux Enfers, now on DVD from Arthaus Musik is an extreme rarity: a comic opera that manages to be musically satisfying and extremely funny at the same time. 

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Oh, them olden slippers

The ArtHaus Musik DVD of the Deutsches Nationaltheater/Staatskapelle Weimar production of Wagner’s Das Rheingold, stage directed by Michael Shulz, begins with a long still shot: That’s right, this interpretation of Wagner’s epic 19-hour cycle kicks off with a long static shot of… some dirty red boots. It’s gonna be a long Gesamtkunstwerk.

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