Cher Public

  • Camille: I, too, have always wondered what ‘might have been’ had Mr Gentele not died so unexpectedly and so young. It was... 11:30 PM
  • Camille: Thanks für Brangänens Warnung, Jungfer!! Gotta love it! httpv://youtube.co m/watch?v=RbgVBcQB XKw I’ll take your Jonas and... 11:24 PM
  • Jungfer Marianne Leitmetzerin: While you were out watching “High Sierra,” you missed the Baden-Baden gala which featured... 10:54 PM
  • Jungfer Marianne Leitmetzerin: Bill, you are of course correct about “Jenufa̶ 1; being sung at the Met first in German, then in... 10:51 PM
  • Bill: Jungfer – true, but I believe that Gentele and Kubelik had planned the new Jenufa (with Teresa Kubiak) and it was sung in... 10:36 PM
  • Camille: Saluti allo Maestro di Catania, PIPPO— httpv://youtube.co m/watch?v=Bt13iDJE 4nk The young, unspoiled and breathtaking voice.... 10:24 PM
  • Camille: “Schweig — Schweig . . .” VORHANG 9:51 PM
  • Camille: Thank you for your kind impulse and I do plan to re-visit it, and would hope this indication would help anyone else curious or... 9:48 PM

The Quantification of the Diva: Part the Fourth

Photo: © Clive Barda/Royal OperaAs we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.  Read more »

The Quantification of the Diva: Part the Third

traviata_gheorghiuAnd now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up? Read more »

The Quantification of the Diva: Part the Second

caballeLa Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto. Read more »

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The Quantification of the Diva: Part the First

We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas:  Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report will examine the five “major” qualities of diva.

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