Cher Public

  • thenoctambulist: Well, I hear so much of maestro’s works that it hardly leaves me any time for anybody else. I can hardly make... 3:46 AM
  • mrsjohnclaggart: Thank you, Porgy, for being so kind. After I had posted I realized there was more than one poster here with a handle that... 1:55 AM
  • Cicciabella: Thanks, Ed. Everytime I see Callas on video it reinforces how much expression she put in the voice. You can see that she is... 1:43 AM
  • Porgy Amor: Weep no more, mrsjohnclaggart. I just looked at the entry in question (“Soft Center”), and that question was posed... 1:42 AM
  • zinka: httpv://www.youtub LcdZU7s HOLD ON TO YOUR…… ……R 30;……. Albania presents... 1:35 AM
  • Lohenfal: Anti, thanks for the detailed Tosca reviews. It seems that you were able to ignore all the debatable aspects of the production... 12:18 AM
  • la vociaccia: Ignored Cieca’s title, saw “Mascagni 221; and “duet” and am now supremely depressed that it... 11:54 PM
  • lorenzo.venezia: Beware the lethal F shard. 11:34 PM

The Quantification of the Diva: Part the Fourth

Photo: © Clive Barda/Royal OperaAs we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.  Read more »

The Quantification of the Diva: Part the Third

traviata_gheorghiuAnd now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up? Read more »

The Quantification of the Diva: Part the Second

caballeLa Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto. Read more »

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The Quantification of the Diva: Part the First

We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas:  Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report will examine the five “major” qualities of diva.

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