Cher Public

  • redbear: It was an event… they were supposed to alternate the soprano roles but at the last minute didn’t. It was a Sills... 3:30 AM
  • moritz: This exhausted, wild, desperate “SCHWEIIIIII IIIIGEN” is one of my favourite moments in this fabulous recording! And... 3:11 AM
  • guy pacifica: Dear JML, I appreciate your buffet of performances just as you are serving them up. In fact, I really enjoyed the Fibich... 2:18 AM
  • guy pacifica: Thank you, Patrick Mack, for the insights. I too work in high tech but keep a pretty Luddite home, as I am not interested in... 2:03 AM
  • Jungfer Marianne Leitmetzerin: Cami, cara: Leonie lets out a BIG, nasty one when they bring up Jochanaan’s Kopf! Also the... 12:11 AM
  • Jungfer Marianne Leitmetzerin: Grimn, I am very happy that you managed to not only access the upload, but that you enjoyed it so much.... 12:04 AM
  • Jungfer Marianne Leitmetzerin: To tell the truth, I honestly don’t know. Sorry! My technical proficiency consists of writing... 11:54 PM
  • Jungfer Marianne Leitmetzerin: Sweetie darling, I haven’t “nailed̶ 1; anyone since the first Bush administration (and... 11:52 PM

The Quantification of the Diva: Part the Fourth

Photo: © Clive Barda/Royal OperaAs we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.  Read more »

The Quantification of the Diva: Part the Third

traviata_gheorghiuAnd now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up? Read more »

The Quantification of the Diva: Part the Second

caballeLa Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto. Read more »

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The Quantification of the Diva: Part the First

We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas:  Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report will examine the five “major” qualities of diva.

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