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Cher Public

  • ML: What? Why? He’s the only true French voice we have! I think long-standing Parterrians should be... 6:24 AM
  • LJ: here’s the SBS interview http://www.sbs.com .au/news/article/2 014/08/08/operas-h ottest-tenor-ho... 6:15 AM
  • manou: œdipe is on the naughty step – but I hope he will be back soon, holding hands with bassoprofundo. 6:15 AM
  • ML: Oedipe — où es-tu? 5:42 AM
  • ML: Well, as you suggest, there are not performances in French of comparable quality. This is ultimately the... 5:34 AM
  • La marquise de Merteuil: Cocky, I have to disagree re Goerke as Elektra. I didn’t attend last night as... 5:24 AM
  • lyrebird: Actually, the figures are worse than my rough estimates above. If anyone cares (and I’m... 5:19 AM
  • lyrebird: Sorry to disagree. The second concert in Sydney went on sale well before anything like the first... 4:59 AM
  • Cocky Kurwenal: I saw Elektra last night at the proms and seem to be at odds with everybody on Facebook and... 4:41 AM
  • Lohengrin: I also wondered about the way of PR. For exemple in Krumlov/Tchechien they offert JK in all... 4:40 AM

The Quantification of the Diva: Part the Fourth

Photo: © Clive Barda/Royal OperaAs we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.  Read more »

The Quantification of the Diva: Part the Third

traviata_gheorghiuAnd now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up? Read more »

The Quantification of the Diva: Part the Second

caballeLa Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto. Read more »

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The Quantification of the Diva: Part the First

We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas:  Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report will examine the five “major” qualities of diva.

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