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Cher Public

  • thenoctambulist: I played the videos and must say Anna has finally delivered in a bel canto work. All the... 12:33 AM
  • steveac10: “Well, if you are asking me, rather than just restating the topic: I want to see and/or... 12:08 AM
  • Porgy Amor: Well, if you are asking me, rather than just restating the topic: I want to see and/or hear... 11:04 PM
  • bronzino: PA: at the risk of having you think that I am ‘digging in’, I must say that this... 10:20 PM
  • aulus agerius: I remember seeing that DG on tv though. I remember Dame Joan looked like a battleship steaming... 9:58 PM
  • Porgy Amor: Here’s how I feel about this. The theatrical side is very important. Direction, acting,... 9:54 PM
  • bronzino: st10: As an art historian, I can assure you that the frame analogy is a very valid comparison. And... 9:43 PM
  • steveac10: That is far from a valid comparison. The dramatic side of the opera is part and parcel of an... 9:16 PM
  • Don_Dano: I don’t believe that Houston plans to do a full cycle. I think the plan is to do one Ring... 9:10 PM
  • bronzino: And this, olli, is where we differ in spending our entertainment pound: I’m happy to pay to... 8:56 PM

The Quantification of the Diva: Part the Fourth

Photo: © Clive Barda/Royal OperaAs we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.  Read more »

The Quantification of the Diva: Part the Third

traviata_gheorghiuAnd now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up? Read more »

The Quantification of the Diva: Part the Second

caballeLa Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto. Read more »

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The Quantification of the Diva: Part the First

We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas:  Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report will examine the five “major” qualities of diva.

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