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Cher Public

  • Lady Abbado: Funny that even though more and more observers say that Angie’ voice has shrunk lately,... 3:59 PM
  • armerjacquino: Lucic was terrific in the Met TROVATORE I saw- sounded the real Verdian deal to me. He and the... 3:55 PM
  • MontyNostry: Lucic was rather good as Luna on the DVD, as I remember. 3:48 PM
  • kashania: It really was. I especially liked the way the whole “machineR 21; came to life at the... 3:21 PM
  • pasavant: Great review. How can I keep from confusing Michael Fabiano and Stephen Costello? I keep getting... 3:09 PM
  • WindyCityOperaman: You are welcom, my dear Tatiana, but I cannot claim full credit for this. It is La Cieca... 2:56 PM
  • Will: Yes, a review that gives the reader a real sense of the kind of excitement that must have been going on... 2:53 PM
  • MontyNostry: The set for that Trovatore was fabulous, though! 2:52 PM
  • diva2themax: Yeah last week was pretty special at the Met nothing like standard repertoire performed w/... 2:52 PM
  • MontyNostry: I heard an interesting view from a young soprano who has had some success in La traviata and she... 2:51 PM

The Quantification of the Diva: Part the Fourth

Photo: © Clive Barda/Royal OperaAs we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.  Read more »

The Quantification of the Diva: Part the Third

traviata_gheorghiuAnd now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up? Read more »

The Quantification of the Diva: Part the Second

caballeLa Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto. Read more »

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The Quantification of the Diva: Part the First

We begin our Kang Method statistical analysis of That Which is Called Diva with a dozen Classic Divas:  Hildegard Behrens, Montserrat Caballé, Régine Crespin, Mirella Freni, Marilyn Horne, Christa Ludwig, Jessye Norman, Leontyne Price, Leonie Rysanek, Renata Scotto, Joan Sutherland and Tatiana Troyanos, henceforth called by first name or nickname as applicable. Our first report will examine the five “major” qualities of diva.

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