Headshot of La Cieca

Cher Public

  • MontyNostry: As I said here a few weeks ago, he really sounded really good as the Apparition in the ROH... 7:32 AM
  • manou: Mais naturellement, chère Fidelia. There is a particularly outré French joke in paragraph 1. which... 7:25 AM
  • Fidelia: Ah Manou, you are the joy of my life! Do you EVER make a bad joke? 7:17 AM
  • manou: Thanks Feld – nice musical morning. 6:56 AM
  • manou: Giuseppe Gipali does. 6:32 AM
  • Regina delle fate: lol – I thought “squash blossoms” was a euphemism for something more... 6:17 AM
  • Regina delle fate: Oh blimey, I have caused another row by using the word “provincial& #8221; .... 6:14 AM
  • Regina delle fate: Something like that. These are names that aren’t permanently on the rosters of the... 6:11 AM
  • Regina delle fate: Since when does Saimir Pirgu sound like an Italian name? 6:08 AM
  • Regina delle fate: No, not Pirgu. 6:08 AM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »