Headshot of La Cieca

Cher Public

  • turings: Good luck with it, Sanford! 6:08 AM
  • armerjacquino: there are certain reliable singers who show up on time …and some of those singers get... 5:56 AM
  • redbear: Peter Sellars: “This is a period of mass intimidation, one where it’s no accident that... 5:48 AM
  • Cicciabella: Pierre Audi has promised that Prince Igor, a co-production with the Met, will soon come to... 4:25 AM
  • Sanford: Well, I have started a business. It’s called So Noted Music and I’ll be selling mp3 and... 3:49 AM
  • Krunoslav: https://www.youtub e.com/watch?v=bWK4 zsTacTU https://www.youtub e.com/watch?v=y2DK I2iQMfI 1:08 AM
  • Krunoslav: “check out who this Mafalda Favero gurl was” httpsv://www.youtu be.com/watch?v=... 1:07 AM
  • La Cieca: Well, no, I assume Favero would have had at least some further Met career. But factually speaking,... 1:01 AM
  • Andie Musique: Madame Butterfly, New York City Opera, March 2010! 12:43 AM
  • m. croche: My memory could be off, but I’m pretty sure the comments about the Prince Igor poppies were... 12:32 AM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »