Headshot of La Cieca

Cher Public

  • ML: ” … this particular fight or whatever you want to call it” is the biggest debacle at... 3:19 AM
  • ML: The raise bothers me less than the 10-year contract. Nobody gets that. No normal board gives that. 3:10 AM
  • m. croche: So I guess they had nothing to do with the decision to cancel the Klinghoffer broadcast? 2:54 AM
  • La Cieca: Got to get the glasses checked. Three times I read that comment, and every time, it came out I’ve... 2:25 AM
  • Feldmarschallin: She will be doing Trovatore here after the Manon Lescaut. 2:15 AM
  • ianw2: This is really quite different from what happened in Minnesota. Minnesota was proposing a severe base... 2:13 AM
  • La Cieca: That’s an interesting question. My opinion is that Gelb is in the right on this particular... 1:34 AM
  • bluecabochon: Steve, there is so much propaganda and sheer ugliness being exhibited by the unions and... 1:34 AM
  • La Cieca: However Mr. Gelb is proposing that union compensation **and that alone** will solve the Met’s... 1:23 AM
  • mozartFreak: From this thread alone, I quote: “As I said in an earlier thread, this proposal is the... 1:19 AM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »