Cher Public

  • laddie: Meant to post a video as well: httpv://www.youtub wF9tC4U 11:51 PM
  • laddie: I’d like to personally thank the Bayerische Staatsoper for not just one but two opportunities to see L’Orfeo this... 11:49 PM
  • Gualtier M: There is a rare out of print cd reissue of the Original London Cast of “Promises, Promises” with a young Betty... 11:33 PM
  • marshiemarkII: Glad to see some love for the Clarion Society and the fabulous Steve Fox (ex Lindemann of course). They did a perfectly... 11:29 PM
  • Will: As opposed to the Rich Man’s Frug from Sweet Charity. 9:41 PM
  • Bluebeard: Well, the Clarion Music Society has a superb chorus, and its leader, Steven Fox, does wonders with them. On December 31 and... 9:31 PM
  • RudigerVT: Turkey Lurkey Time is, to say the least, a strange song. But the nascent Michael Bennett used it to introduce early-disco dance... 9:19 PM
  • pirelli: From what I understand, Bacharach was very frustrated by the “live theatre” aspect of things – he was much more... 8:25 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »