Headshot of La Cieca

Cher Public

  • Satisfied: Lots of ugly going on in that clip. Production looks promising though. 1:51 PM
  • Buster: Someone must have compared her unfavorably to Margit Schramm one time too often. Socking dead singers... 1:51 PM
  • La Cieca: Take your button-pushing somewhere else. It’s neither cute nor endearing. 1:48 PM
  • Krunoslav: Of course, Batty– though I always felt Bergonzi ( whom I heard numerous times) acted WITH... 1:46 PM
  • la vociaccia: Well, um, uh…productio n looks nice! httpv://www.youtub e.com/watch?v=JDJ3 BQjAXHY Maybe... 1:46 PM
  • DeepSouthSenior: Every once in a while I enjoy (just as much as the next guy) seeing whose buttons I can... 1:44 PM
  • La Cieca: Yes, if only those idiots in the New York City and State government had your magical ability to... 1:34 PM
  • Batty Masetto: Kruno, of course there were splendid actors back then, but we also had Tucker, Bergonzi,... 1:32 PM
  • Krunoslav: Yes, and the Recent Unpleasantness was all about Northern commercial aggression and envy of the... 1:15 PM
  • Chanterelle: Good to know — thank you for posting. 1:12 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »