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Cher Public

  • Quanto Painy Fakor: Great! Maybe it will run longer than The Man from LaMancha and she will never have time... 9:50 PM
  • Ilka Saro: Ooooo! Can’t wait for the moment when she tries to flush Kiri Te Kanawa’s wig down the... 9:48 PM
  • Quanto Painy Fakor: Coloraturafan rulzzzz! Don’t miss the nasty unusual Don Giovanni there too.... 9:45 PM
  • reedroom: woof 9:21 PM
  • Bill: I am not sure that a solemn Mass is supposed to be warm and fuzzy – any more than the Brahms... 9:07 PM
  • coloraturafan: Here is the video of Wien Rigoletto that people were speaking of, not the edited TV broadcast,... 9:03 PM
  • La Valkyrietta: Good for her! She can plant a tree, but can she beat Aretha at this aria? httpv://www.you... 8:50 PM
  • Poison Ivy: JML I can tell you that I always appreciate your uploads as they are usually of perfromances I... 8:15 PM
  • Bluebeard: As always, WKCR in New York is doing its non-stop broadcast of Johann Sebastian Bach, and it... 8:04 PM
  • Jungfer Marianne Leitmetzerin: I am sorry to be so obsessive, but I am extremely concerned with my goal of... 8:00 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »