Cher Public

  • zinka: This is an example of the glory of Zinka and an example of Golden Golden Age singing…. Nobility, beauty, mixed lows,... 8:30 AM
  • zinka: httpv://www.youtub e.com/watch?v=0oLa H8fiMc4 Comments to follow..Do not leave!!!! 8:26 AM
  • Fidelia: Thank you, Manou. I read your review with interest (vested or otherwise). Not too long, and written with your usual *style... 7:24 AM
  • Cicciabella: Best brows in the business. 7:13 AM
  • Cicciabella: My impression is that he had prepared ahead, at least by reading about the plot, and that some of the naivety was pretend.... 7:12 AM
  • La Valkyrietta: Thank you manou, so happy for you it was musically enjoyable. I cringed reading about the koncept or whatever and hope the... 7:04 AM
  • turings: Thanks, manou! Not at all tl;dr :) 7:04 AM
  • turings: That’s a pity. I have tickets to see Tézier in the Macbeth. I wonder will he sing the June run. I heard Calleja last night... 6:07 AM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »