Cher Public

  • Batty Masetto: Doch, das gibt’s: http://www.duden.d e/rechtschreibung/ fisteln 5:24 PM
  • Greg.Freed: Fully off topic in any thread: years ago I had I guess a radio broadcast of the Elektra cast I heard in Houston in 1993:... 4:47 PM
  • Kassandra: I confess I am not a Puccini or a verismo fan, but they deserved better than this staging, costumes (unflattering), even acting... 4:41 PM
  • gustave of montreal: Kaufmann emasculated 4:17 PM
  • gustave of montreal: More singers should do it too instead of being subjected to that trash. 4:10 PM
  • gustave of montreal: Indeed it sucks big time. 4:07 PM
  • Constantine A. Papas: I stopped watching it. Unadulterated, twenty-four- carat garbage. And those dystrophic hips were visual insults. One... 3:43 PM
  • reedroom: Rawls has sung here in Seattle several times and while I would not say he is Del Monaco re-incarnated, he did well. Plenty of... 3:22 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »