Cher Public

  • tiger1: Ms. Kurzak was originally listed as Princess Euxodie (in October with Kristine Opolais as Rachel). Does anyone know what lead to... 4:04 AM
  • Batty Masetto: OK, here’s a post mortem on the SF Don Carlo from Friday. Pape owned the show. In spite of some occasional flatting he... 1:09 AM
  • Jack Jikes: I saw every performance of the Gunter Kramer production at the Met. Bieto made me feel I had never seen the opera before.... 11:40 PM
  • PCally: So many of my favorite artists were born in this day! I love it 9:39 PM
  • Camille: httpv://youtube.co m/watch?v=EKiqthx0 GKw Hoping everyone had a safe and happy celebration. 8:42 PM
  • Stefan: I wouldn’t call it boring but lets just say, not very exciting (to be tactful). On a separate note, I found out two days ago... 8:36 PM
  • PCally: Hmmm well personally I do tend to find La Juive a pretty boring opera and I’ve loved a couple of productions that I’ve... 6:56 PM
  • jackoh: Let me venture an opinion that I am not sure how far that I would go to defend. I don’t think that there is any such thing as a... 6:32 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »