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Cher Public

  • mia apulia: will someone please explain how this happened? it is so awful it is almost wonderful 12:37 AM
  • operadunce: Actually, I find parterre.com to be informative and entertaining most of the time. I certainly... 12:07 AM
  • antikitschychick: Very well put EarlyRomantic. I wholeheartedly agree with you, except I don’t think... 11:54 PM
  • stevey: Manou, Kashie…. I am due to leave Toronto tomorrow, bound for Providence, then Miami, and... 11:43 PM
  • EarlyRomantic: On this Thanksgiving Day, I am grateful for the myriad operatic artists past and present who... 10:51 PM
  • La Cieca: The way you sought out parterre.com, you mean? 10:30 PM
  • operadunce: Sorry, but I’m not in your kitchen. I don’t need to trash someone else to feel better... 9:40 PM
  • Quanto Painy Fakor: Well she is used to upstate NY wet winters. She does not look happy in the phot with... 9:16 PM
  • EarlyRomantic: As they say, can’t take the heat? Then get out of the kitchen. Renée and her record... 9:07 PM
  • antikitschychick: Pasavant, bless you for posting that! She’s amazing :-). Also, Jessye is workin that... 8:54 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »