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Cher Public

  • danpatter: Thanks for this. It’s a release I’ll be skipping, and heaven knows I need to skip more... 2:35 AM
  • Cicciabella: 1. Select and copy the excerpt you need translated. 2. Go to http://translate.g oogle.com/m/tr... 1:52 AM
  • Batty Masetto: Belated thanks, Valkyrietta – I don’t log in here as much as I used to, like... 12:31 AM
  • mia apulia: I remeember at the time of the Caballé/Verett Norma thinking that, as much as I loved and still... 12:06 AM
  • mia apulia: and just how does one get Google to do that for one? non parlo tedesco….. 11:36 PM
  • Ruxxy: Well done sweet Sanford :) 11:35 PM
  • FragendeFrau82: Excellent review of Netrebko’s Vier Letzte Lieder recital. I hope we all get a chance... 10:38 PM
  • Camille: Thanks so much, Feldmarschallin!! My prayers have been answered for my wish to hear this work and... 9:48 PM
  • Lindoro Almaviva: Wouldn’t it? i am in Chicago often enough, i am but less than  miles away from Chicago 9:01 PM
  • Clita del Toro: Lindoro, that would be fun! 8:42 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »