Cher Public

  • Porgy Amor: I was rooting for Nick Nolte for Affliction among that crop, but Edward Norton (American History X or McKellen would have been... 5:27 PM
  • Porgy Amor: I copied one other line from the SJT Anna Nicole review, when I linked to it for someone elsewhere: “We also have a wild... 5:14 PM
  • Porgy Amor: All those voices in her head. 4:11 PM
  • sutherlandfan: Re Herheim, here’s his take on the upcoming Boheme: http://www.theoper aplatform.eu/en/ar ticle/new-old-la-b oheme 4:08 PM
  • Rowna: I have only listened to the first hour – I have work to do! The conducting is so fantastic I forgive all average and below... 4:03 PM
  • manou: The Internet reports that Gloria felt nauseous in the public transport. 3:57 PM
  • Porgy Amor: He also wrote the notes for a reissue of the Muti Ernani — whichever one came out around middle of last decade. 3:42 PM
  • Cicciabella: I hope he also got to review Jerry Springer, the Opera. Opera Britannia has good reviewers, but they need to spruce up the... 3:02 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »