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Cher Public

  • Buster: Bradic is indeed wonderful. She was in the ensemble in Antwerp a few years ago – saw her in... 4:30 PM
  • phoenix: I didn’t need another NYT Clinton endorsement, but read the article and enjoy it –... 4:29 PM
  • PushedUpMezzo: I was at one of the Dresden performances and she certainly convinced me. In fact, having heard... 4:16 PM
  • manou: http://opernnetz.d e/seiten/rezension en/dre_tri_hoe_131 116.htm 4:15 PM
  • PCally: The one review I read was decidedly mixed, after which I read that she canceled the Bayreuth Isolde.... 4:09 PM
  • Gualtier M: Hey Broken Record: The Richard Tucker Prize goes to a young AMERICAN singer. ALWAYS. (I know I... 4:08 PM
  • Thingsaregettingbetterdownhere: orestes: The boys can’t keep up with Goerke-Mattila-Bar ton, but that... 4:03 PM
  • turings: I’m glad they’re featuring Katarina Bradic in Amor vien dal destino. I don’t know... 3:51 PM
  • orestes: I’m going to Walkure on Thursday and can’t wait to hear her. She wowed me as Adalgisa,... 3:44 PM
  • uwsinnyc: Good points. I find her interesting but she doesn’t give me goosebumps and the voice never... 3:11 PM

The butterfly effect

Midway through the first portion of Wednesday’s New York City recital debut of Mme. Natalie Dessay I became very distracted by the persistent urge to try to characterize the experience of what was happening on stage, for this was, by no means, an ordinary recital and no ordinary debutante.   Read more »

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »