Headshot of La Cieca

Cher Public

  • arepo: Oropesa! Now THAT makes more sense. There was a thread here several months ago hinting at who the... 7:49 AM
  • fidelio101: Tell the wig master that Norma needs her roots done! 7:35 AM
  • Krunoslav: Soem favorite Rethberg cuts: httpv://www.youtub e.com/watch?v=qVv7 0q6gGZo This one’s going... 2:31 AM
  • Buster: I never listened much to Rethberg’s live Met recordings. Past her prime, not at her best, is... 2:12 AM
  • ML: Let’s hear it for low E-flat! mmmmmmmmm mmmmmmmmm mmmmmmmmm 12:45 AM
  • dr.malatempra: I believe the initial rumor was regarding Lisette Oropesa. Have no opinion about the validity... 12:41 AM
  • antikitschychick: Yay thank you for confirming that PokeyGascon! :-). Also, just a humble suggestion from... 12:33 AM
  • ML: Chicago Tribune (John von Rhein) has it all wrong: * CSO is one of three (3) jobs Muti holds, so it does... 12:24 AM
  • Clita del Toro: Thanks, chick. Nice to hear from you. 12:22 AM
  • PokeyGascon: Game of Thrones look was intentional or at least acknowledged by the director in the program... 12:09 AM

Altar ego

An uplifting way to start the week from Our Own Jungfer Marianne Leitmetzerin: a performance of Gluck’s Iphigénie en Aulide under the baton of Riccardo Muti.

Christoph Willibald Gluck: Iphigénie en Aulide

Teatro dell’Opera di Roma
Riccardo Muti, conductor
17 March 2009

Diane – Beatriz Diaz
Agamemnon – Alexey Tikhomirov
Clitemnestre – Ekaterina Gubanova
Iphigénie – Krassimira Stoyanova
Achille – Avi Klemberg
Patrocle – Mario Cassi
Calchas – Riccardo Zenellato
Arcas – Carlos Garcia-Ruiz

Final scene composed by Richard Wagner in 1847

In commemoration of the 300th birthday of Christoph Willibald Gluck on 2 July 1714.

8 comments

  • kashania says:

    Thank you, Marianne and La Cieca. I love the other Iphigénie but have never heard this one.

  • Regina delle fate says:

    You do have to wonder, though, what Muti, with his zeal for conducting things “come scritto” is doing performing the Wagner final scene in 2009. I’m sure I saw a performance there with Urmana as Iphigénie and it was as dull as ditchwater. It sounded like a Gluck performance from the 1950s.

    • Jungfer Marianne Leitmetzerin says:

      That would have been at the Teatro degli Arcimboldi in Milano in December 2002. I haven’t heard it, not being a big fan of Urmana since she decided she was a soprano, so I can’t comment on any change in Muti’s approach seven years later.

      • Regina delle fate says:

        Oh thanks Jungfer! I’m doubtless going senile. I can’t remember anything else about it, though the production might have been a zzzzzz-fest by Yannis Kokkos.

        • Jungfer Marianne Leitmetzerin says:

          I believe it was the same production which I saw in Roma in 2009. It certainly didn’t help make a case for the opera, but the singing was spectacular, and I enjoyed the opportunity to hear all the ballet music.

  • oedipe says:

    And here is Minkowski’s version of Iphigénie en Aulide (Amsterdam, 2011; with Véronique Gens):

  • Satisfied says:

    Katie Mitchell’s production of Trauernacht: sadly underdeveloped and lacking in purpose. Gorgeous music but hardly a scant of a production. Kudos to the wonderful voices this evening, but I’m very disappointed by this less than thought-out production.

    A rare misfire for the festival…

  • DellaCasaFan says:

    Thank you for this wonderful treat, Marianne and La Cieca. Stoyanova’s Iphigenie is a must hear. What a voice, what an interpretation! Others improve as the opera moves on, especially Gubanova with her powerful Act 3 aria. Only Tikhomirov’s voice sounded somewhat dry to my ears and I wish Testé (from the performance Oedipe links to) was casted as Agamemnon. Despite the odd choice for Wagner’s ending, Muti’s musicianship is more than evident here. This had to be a great night in the house.