Cher Public

  • OpinionatedNeophyte: Oh yeah. It totes makes sense to ask black men, still least likely to get hired and first to get fired, their public... 1:41 AM
  • Ruxxy: I suspect the public face would say the same thing. A white Otello is as ridiculous as a one legged Tarzan. It’s just a pity... 12:57 AM
  • antikitschychick: steveac10 asks: “If a work of art offends some because of attitudes it portrays that were accepted at the time of... 12:53 AM
  • m. croche: Aiyo, I botched the nesting. This was in response to Steveac above. 12:51 AM
  • m. croche: Does a work like the Mikado offend the people portrayed, or people who think the people portrayed are offended by it and... 12:49 AM
  • antikitschychick: Just read your review NPW. It was highly entertaining yet thorough and concise. Thanks for sharing it. I hadn’t... 12:14 AM
  • oldmanriver: I am so dense. I realized the relationship between the end of Falstaff and 8 1/2. 11:47 PM
  • steveac10: This whole exchange raises the conflicted feelings I have on these issues. On the one hand we have to be sensitive to peoples... 11:17 PM

Happy Birthday USA!

What better way to celebrate the Fourth of July than with a fusillade of coloratura fireworks, garnered from the YouTube page of our lovely friend Coloraturafan?

38 comments

  • laddie says:

    We celebrated the holiday with Don Pasquale at Santa Fe. Unfortunately, there was nothing fireworks-like in this production. In a nutshell, Alek Shrader sang well as did Laura Tatulescu. I am afraid that Andrew Shore isn’t very funny. Zachary Nelson was less impressive as Dr. Malatesta than he was as Figaro in last year’s Le Nozze. Music was, well, not very “elastic” as one reviewer put it. I like the clean lines of the set design which is turned upside down after the intermission. One chair, many doors, and a chandelier encompass a set in beige and taupe which later is added to with riotous color in the form of chairs and flowers ordered by Sofronia. Shrader sings the trumpet aria trying to juggle suitcases. Generally, Shrader has too much to do on stage that got in the way of producing a bel canto sensibility. He was the funniest character on stage, however.

    This production is supposed to go to San Fran and Liceu. I think it has a lot of potential that, unfortunately, was not realized at its second performance last night in Santa Fe.

  • Krunoslav says:

    Speaking of Americana, the NY Phil is doing SHOW BOAT in the Fall with the following already announced:

    Ted Sperling Conductor
    Lauren Worsham Magnolia
    Vanessa Williams Julie
    ***Julian Ovenden Gaylord Ravenal***

    Guess we’re lucky Kate Royal isn’t Magnolia, but I MEAN REALLY.

    Michael Todd Simpson, North Carolina-born, was excellent in the part last week at the San Fran Symphony.

    Maybe Miriam Margolyes can be flown in for The Old Lady On the Levee?