Headshot of La Cieca

Cher Public

  • Cicciabella: Yes, I know that. It’s a tautology for the purpose of emphasis. Since it’s the... 4:44 AM
  • Greg.Freed: Yes, that’s correct. Vowel reduction in Russian makes “ya” into “i”... 4:42 AM
  • DeepSouthSenior: I’m surprised that no one has posted YouTube videos of duets and ensembles with... 4:27 AM
  • DeepSouthSenior: Ivy, your review was so witty and chatty and informative that I had to read it out loud to... 4:21 AM
  • Quanto Painy Fakor: Listening to the Russian interviewer on the Netrebko interview I noticed his... 4:17 AM
  • DeepSouthSenior: One word to describe Anna in this interview: Relaxed. None of that tense body language... 4:01 AM
  • Feldmarschallin: http://www.zeit.de /2014/48/puccini-o per-manon-lescaut- hans-neuenfels A rave for Neuenfels... 3:12 AM
  • Feldmarschallin: Laufenberg inszeniert “Parsifal 221; in Bayreuth http://www.merkur- online.de/akt... 3:05 AM
  • Guestoria Unpopularenka: Um, all duets and ensembles are in the same key. I loved the interview and... 1:14 AM
  • steveac10: While I applaud the Met for keeping him visible in New York in the short term, I fear all this... 12:59 AM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

44 comments

  • Guestoria Unpopularenka says:

    Thanks. Very nice interview!

  • Poison Ivy says:

    Guys, another interview with another artist is in the works! I don’t want to say too much about it but I’m pretty sure it will be awesome.

    • rapt says:

      You’re not the only one who anticipates awesomeness! I just read the Altinoglu interview, and I think you did a great job putting him at his ease and getting soem substantive responses out of him. Thanks!

    • Rory Williams says:

      Hooray! Can’t wait. (going off to speculate about WHO). Best, Rory

  • FragendeFrau82 says:

    Thanks so much, Ivy. Delightful interview, delightful man. I will be paying attention to what he does in the future! I was rather shocked last night by the people in the orchestra stalls who stood up and left almost before the curtain came down--and it did seem to be stuck! It’s not as if it was midnight! But wonderful standing ovation too and I hope all the artists could feel the love.