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Cher Public

  • Cocky Kurwenal: While I’m not going to dis the collective critical faculties, I will say that no, from... 7:22 AM
  • Cocky Kurwenal: Thank you Manou, that really gave me a giggle. 7:11 AM
  • Cocky Kurwenal: Not sure ‘end-of-care er Malfitano’ is all that crushing an insult – I saw... 7:05 AM
  • La marquise de Merteuil: Camille PS: A te la mala pasqua has been invoked, by me, against many an erring... 6:31 AM
  • La marquise de Merteuil: Camille – thanks for Evstatieva Top C story – not the first and... 6:29 AM
  • Feldmarschallin: Here a review. So it ssems Cocky, Camille, Phoenix and moi are not alone. http://www.thea... 5:52 AM
  • tiger1: Miss Stemme, yes, but I find it very unlikely that Mr Pape will sing Hagen. But, of course, I could... 4:54 AM
  • ML: Starting yesterday, he is a member of Oper Frankfurt, with 2014-15 appearances in Bohème, Rosenkav, and... 4:04 AM
  • WindyCityOperaman: httpv://www.youtub e.com/watch?v=YMB9 wW-bOSo 3:59 AM
  • WindyCityOperaman: Born on this day in 1840 writer Giovanni Verga httpv://www.youtub e.com/watch?v=N... 3:57 AM

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive. If only the Met could get similarly revved for its production of Wozzeck. On Thursday night, the opera, whose graphic violence quotient is small potatoes compared to the Sweeney Todd bloodbath, played to a listless half-empty house.” [New York Observer] (Photo: Chris Lee)

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