Headshot of La Cieca

Cher Public

  • manou: This is mostly for Lady Abbado (hoping that she speaks Italian): https://soundcloud .com/radioclass... 11:07 AM
  • spiderman: Yes, DonCarloFanatic, chairs are a EUROPEAN thing … that’s why you still have to sit... 10:48 AM
  • DonCarloFanatic: Oh, no. Chairs AGAIN??! It’s a European thing, and I also do not understand why it... 10:36 AM
  • aulus agerius: I did not notice Cav being dark. However, The Paramount Theater makes a big deal of the fact... 9:32 AM
  • aulus agerius: I thought having Canio sing his aria in front of the curtain was an echo of Tonio singing the... 9:09 AM
  • overstimmelated: Her top has sounded like that on broadcasts for years, splintered and often with no pitch or... 8:21 AM
  • Will: I was at the MET for Cav/Pag and thought the former was a truly gripping, magnificent production. The... 7:07 AM
  • Ilka Saro: I was also at the HD presentation yesterday (at the Ziegfeld in NYC, just down the street from the... 6:55 AM
  • -Ed.: I quite liked the Cav/Pag HD broadcast yesterday. The productions, the singing, the chorus, the... 6:17 AM
  • danpatter: I loved Italo Tajo’s singing. I only got to see him a few times, as Don Pasquale in... 12:03 AM

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive. If only the Met could get similarly revved for its production of Wozzeck. On Thursday night, the opera, whose graphic violence quotient is small potatoes compared to the Sweeney Todd bloodbath, played to a listless half-empty house.” [New York Observer] (Photo: Chris Lee)

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