Headshot of La Cieca

Cher Public

  • Quanto Painy Fakor: Things are not going well in Rome either. On Tuesday the board of the Rome Opera will... 1:24 AM
  • la vociaccia: The Peter Grimes production was a huge musical achievement; unfortunately everyone hated the... 1:14 AM
  • Sempre liberal: Are they arguing for the return of Anthony Bliss (Boheme) or Bruce Crawford (Aida)? Granted,... 1:07 AM
  • la vociaccia: I wouldn’t call her top ‘free,’ ; when she’s confident and in her... 1:01 AM
  • FomalHaut: I hadn’t realized Le Comte Ory was reviewed so poorly; I thought the combination of Damrau,... 12:46 AM
  • laddie: A nice little clip of Morley from King Roger a couple of years ago: httpv://www.you... 12:26 AM
  • steveac10: One glaring (and telling)inaccuracy – the Boheme and Aida are credited in part to... 12:22 AM
  • Krunoslav: What about Charles Castronovo if we’re casting for body type ( he also has better French... 12:10 AM
  • laddie: How wonderful that she will be able to grace the stage of the Paris Opera. I believe it is mentioned... 12:05 AM
  • johns33: Basing his arguments on reviews is silly. As for the ones he cites as getting a negative review: I... 12:00 AM

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive. If only the Met could get similarly revved for its production of Wozzeck. On Thursday night, the opera, whose graphic violence quotient is small potatoes compared to the Sweeney Todd bloodbath, played to a listless half-empty house.” [New York Observer] (Photo: Chris Lee)

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