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Cher Public

  • pasavant: Were there any Muslims in the audience? If so, were they in “drag?” ; 7:45 AM
  • Ilka Saro: Thanks for this review! I wonder now that the so-vigorously-camp aigned-against opening has... 7:25 AM
  • Cicciabella: Perspective is always necessary, tiger1 However, Western Europe should set its own gold standard... 6:31 AM
  • armerjacquino: ‘Europe̵ 7;. That homogenous entity. 5:37 AM
  • tiger1: Dear Cicciabella, A few comments: While I do not think Europe is as tolerant and open as it should... 5:35 AM
  • Cicciabella: The opera house was within its rights to ask the woman to unveil. French and Belgian law forbids... 4:52 AM
  • Cicciabella: A big thank you to everyone who reported on Klinghoffer and reviewed the performance. This... 4:37 AM
  • Walther von Holzhaufen: Ivy, I just read your blog on Klinghoffer. I found your review and reflections to be... 4:33 AM
  • Often admonished: more http://leplus.nouv elobs.com/contribu tion/1251812-une-f emme-voilee-exp... 4:15 AM
  • Often admonished: Some kind of Intolerance Index considering all forms of censorship, artistic and aesthetic... 4:12 AM

That’s entertainment!

The highlight of the Bayerische Staatsoper’s 2014-2015 season is a new production of Manon Lescaut featuring Anna Netrebko and Jonas Kaufmann, directed by Hans Neuenfels. (And perhaps the most delightful part of this announcement is that Richard Eyre is not involved in any way at all.)

61 comments

  • laddie says:

    Is it me, or are four Mozart operas the norm for Munich? (I’m ALL for it!)

    Angela Brower seems to definitely be a *house* mezzo too!

    • Regina delle fate says:

      Munich does about 40 titles a year with mostly very short runs of three or four performances apart from the most popular warhorses. Plus, Mozart is one of the three “Hausgötter”, the other’s being Wagner and Strauss, so it’s not at all unusual for four Mozart, or even five, to be playing in one season. For a time, it looked as if Handel was going to join the house-gods, but the new Intendant Bachler, has put a stop to that.

    • Feldmarschallin says:

      There are 5 Mozart operas next season: Figaro, Don Giovanni, Titus, Cosi and Zauberflöte (2 different runs and casts).

  • operacat says:

    Maybe it isn’t a major company, but I am very excited by the Washington (DC) National Opera season next year. Christine Goerke sings FLORENCIA EN EL AMAZONAS; Eric Owens is DER FLIEGENDE HOLLANDER; Isabel Leonard is CENERENTOLA; BOHEME with Corinne Winters; and DIALOGUE OF THE CARMELITES with Leah Crocetto, Elisabeth Bishop, Layla Claire and Delora Zajick. http://web.kennedy-center.org/~/media/Files/KC/Press%20Releases/Season%20Announcement%202014-2015/Press%20Release%20-%20Washington%20National%20Opera%20Announces%202014-2015%20Season.pdf

    • phoenix says:

      That also looks better than the Met’s.

    • fletcher says:

      Good season! Florencia is also happing at LA Opera next season, with Villarroel and Oropesa — I’ve never heard it and I’m not sure what to expect. Any thoughts?

      • MontyNostry says:

        I see that the soprano is transformed into a butterfly at the end …

      • operacat says:

        FLORENCIA is a beautiful work and I am looking forward to seeing it. IMHO it is a work that will be still performed in a hundred years. Melodic and emotional filled with magic realism. I have thought for a while that it would be an ideal vehicle for Renee Fleming. I was excited by the LA cast. . I have always liked Villaroel. Oropesa’s role is quite lovely as well. . .a gorgeous duet and quartet are highlights. I am very excited about a luxurious voice like Goerke singing the role. The final 10 minutes is a sort of Liebestod. . .albeit one where the soprano changes into a butterfly (it makes sense within the story :-)