Headshot of La Cieca

Cher Public

  • RosinaLeckermaul: I totally agree. He didn’t sound in BOHEME like the same singer I heard in TROYENS... 11:26 AM
  • kennedet: Okay, it’s a folk song. Before I’m corrected. 11:24 AM
  • kennedet: Leave Ms. Norman alone! She’s “got the right to sing the blues”! 11:13 AM
  • DellaCasaFan: Indeed, happy St. Cecilia’s Day. And, since it’s also Britten’s birth date,... 11:13 AM
  • Quanto Painy Fakor: Now that Die Voigt has her own radio program on WQXR (“The Sopranos”... 11:11 AM
  • DeepSouthSenior: Hymel’s strength as ” . . .comfort with constant high-ish tessitura . . ”... 11:09 AM
  • NPW-Paris: I see in this month’s Opéra Magazine that at the Montpellier Opera, which is struggling,... 10:21 AM
  • Will: Maybe in a big space her voice smooths out, but I don’t hear the beguilingly soft and sweet top... 10:17 AM
  • Cicciabella: - tenors whose cars get stolen 10:01 AM
  • armerjacquino: A huge round of applause for the thread title. 9:46 AM

Recklessly passionate

Before you ask, cher public, there is no Issue #41 of parterre box, the queer opera zine, or, rather, this issue, #42 is the 41st of the series. La Cieca hasn’t a clue why the numbering system went to hell, but at least she didn’t let you down on content: Gossip about Madame Vera Galupe-Borszkh and Cecilia Bartoli! An interview with Catherine Malfitano! Reviews by Indiana Loiterer III, Fleur Jetée, and Fils de Brahma! ”The Ballad of Billy Budd!” Plus the first installment in the serial “All About Steve” by the ineffable Manuela Haltertop!  [Download Issue #42]

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