“The nameless heroine of Dvorak’s Rusalka is one of those hybrid creatures that crops up so often in myth and fairy tale, half woman and half fish. The Met’s current quickie revival of this opera is also a half-and-half sort of thing: a charming musical performance welded to a dramatic production so old and stale that, like fish left out too long, it’s starting to smell.” [New York Observer]

Latest on Parterre

Comments