Headshot of La Cieca

Cher Public

  • steveac10: This is what’s being lost. If this were Renee and Nathan last week, Parterre would be giving... 2:19 AM
  • ianw2: but saddling him with a shit staging built around incompetent big names and convincing him never to... 1:54 AM
  • ML: … but saddling him with a shit staging built around incompetent big names and convincing him never... 1:40 AM
  • ML: The subject, after the “as a tenured professor” clause, is SANDOW, not m. croche or... 1:34 AM
  • Constantine A. Papas: So did I, except for Grigolo. 12:31 AM
  • Clita del Toro: I watched about half of The Requiem as I didn’t know it was on. I did enjoy it. 12:04 AM
  • 98rsd: Am I missing some key fact? Is there a reason an orchestra member SHOULD be paid more “than,... 12:00 AM
  • steveac10: Who said anything about outsourcing? I said there are innumerable qualified applicants for that... 11:56 PM
  • Constantine A. Papas: To change the subject: did anyone watch Verdi’s Requiem with LA Philharmonic on... 11:56 PM
  • steveac10: I said nothing about glamour. I also think you are underestimating the pool of talent that would... 11:48 PM

Butt of the joke

“The deep stirrings that open Brokeback Mountain, the opera, rise up from the bowels of the orchestra…. And those tones are gripping.” [Wall Street Journal]

38 comments

  • Grane says:

    Yes, they should use the process of alimination to find other metaphors. These are a bit cheeky.

  • Batty Masetto says:

    I endeavoured to describe the powerful effect of vital impressions on the temperament, how they hold us captive, as it were, until we rid ourselves of them by the unique development of our inmost spiritual visions, which are not called forth by these impressions, but only roused by them from their deep slumber. The artistic structure, therefore, appears to us as in no wise a result of, but, on the contrary, a liberation from, the vital impressions. At this point Berlioz smiled in a patronising, comprehensive way, and said: ’Nous appelons cela: digérer.’

  • Quanto Painy Fakor says:

    “Flawless libretto” Successful premiere
    http://cultura.elpais.com/cultura/2014/01/29/actualidad/1390954944_869633.html