Headshot of La Cieca

Cher Public

  • zinka: Sorry to hear,even from friends NOT prejudiced against the wonderful SQUILLO of Marcello(people call... 9:47 PM
  • Poison Ivy: Guys I found this gem from nearly 20 years ago of Olga Borodina’s Amneris. Look at that... 9:37 PM
  • Guestoria Unpopularenka: Palombi was the substitute when Alagna threw a hissy fit at La Scala. 7:41 PM
  • Guestoria Unpopularenka: Maybe it’s changed. Domingo’s anecdote was from 1971. 7:39 PM
  • MontyNostry: antikk is right about the Macbeth at Covent Garden – she looked rather glamorous, but so... 7:32 PM
  • antikitschychick: Lmaoooo now that is funny Pavel! I think she looks like a combination of Montsy and... 7:10 PM
  • antikitschychick: Quanto: I highly doubt that’s true given her busy schedule…may be a few years... 7:01 PM
  • MontyNostry: I’ve said this on here before – it’s a shame that an intelligent woman with... 6:54 PM
  • antikitschychick: Ivy, this is an interesting observation but I don’t necessarily agree because, while... 6:54 PM
  • Quanto Painy Fakor: Rumor has it that she will begin or is already involved in having a teaching career! 6:54 PM

Butt of the joke

“The deep stirrings that open Brokeback Mountain, the opera, rise up from the bowels of the orchestra…. And those tones are gripping.” [Wall Street Journal]

38 comments

  • Grane says:

    Yes, they should use the process of alimination to find other metaphors. These are a bit cheeky.

  • Batty Masetto says:

    I endeavoured to describe the powerful effect of vital impressions on the temperament, how they hold us captive, as it were, until we rid ourselves of them by the unique development of our inmost spiritual visions, which are not called forth by these impressions, but only roused by them from their deep slumber. The artistic structure, therefore, appears to us as in no wise a result of, but, on the contrary, a liberation from, the vital impressions. At this point Berlioz smiled in a patronising, comprehensive way, and said: ’Nous appelons cela: digérer.’

  • Quanto Painy Fakor says:

    “Flawless libretto” Successful premiere
    http://cultura.elpais.com/cultura/2014/01/29/actualidad/1390954944_869633.html