Cher Public

  • Jungfer Marianne Leitmetzerin: Cami, the link to BR-Klassik has said – from Day 1 – “Aus rechtlichen Gründen ist dieses... 5:03 PM
  • Cocky Kurwenal: D’Intino was Amneris at my first ever visit to the ROH, as a young teenager. I’ve looked out for her ever... 5:01 PM
  • Krunoslav: Actually, “bol’s hie” is plural. 4:56 PM
  • Krunoslav: One other world-class Eboli, though she didn’t seem to linger long abroad ever: Lucia d’Intino, whose Met debut... 4:53 PM
  • Cicciabella: Do the Old Norse myths are banal gibberish. Now we know. 4:38 PM
  • Cocky Kurwenal: There’s no doubt that Barton can be phenomenally classy – I loved her in her Cardiff performances. But having... 4:35 PM
  • Nero Wolfe: I heard Marc in a recital and was blown away–not only by the quality of her voice but by the sheer volume she could put... 4:04 PM
  • Will: Watson as Resi in Munich just three years earlier in 1970 wasn’t perilous to these ears, and I was very happy to have... 2:54 PM

She is a diamond

“La Cieca cannot imagine it is much fun to sing ‘Dove sono’ when you’re suffering a fresh case of the Reno jumpy-wumps.”

In the December 1998 issue of parterre box, your doyenne muses on Renée Fleming and Aprile Millo; Our Own JJ reviews a recording of the Callas master classes; Enzo Bordello, Dawn Fatale and Nakamura Akira chime in from three continents; Roy Wood gushes over Kathleen Battle; and Dr. Repertoire dissects Cinderella and Company. [Download Issue #34]

14 comments

  • 1
    armerjacquino says:

    ‘Sondra Radvanovsky’s firmly voiced, creamy toned utterances as the Priestess…’

    Good spot!

  • 2
    kashania says:

    Can’t wait to read every word. This has quickly become my favourite new regular feature on parterre.

  • 3
    rysanekfreak says:

    Did we ever get a reveal for the blind item?—the NYCO guy who was pimping out go-go boys?

  • 4
    Porgy Amor says:

    “…much to the annoyance of producer Franco Zeffirelli, who wanted to offer the role to an attractive protégée of his (a girl, I mean).” Gold.

    For anyone did not know or has forgotten, Jurgen Flimm and Erich Wonder were the then-unnamed director and designer (respectively) whose proposed Traviata was nixed in favor of the ’98 Zeffirelli. Maybe theirs would have been better. Both men debuted with other operas a few years later. Flimm’s Met Fidelio and Salome were fixtures over the next decade; Wonder’s only Met work has been Doktor Faust, which had six performances in 2001.

  • 5
    Feldmarschallin says:

    ‘Besides he’s fat as a pig’. Perhaps the poster who complained about what I said about Botha will keep his mouth shut now. I see I am in the best of company and Hadley isn’t nearly as fat and ugly as Botha. If someone is offended they needn’t read what I write.

    • 5.1
      Porgy Amor says:

      You mean “wasn’t,” of course. RIP.

      Speaking of Botha, he turns up several pages later, badly reviewed for a Chicago Gioconda: “Johan Botha’s leathery voice droned on and on at dynamic levels of mezza-forte or higher; it would be hard to imagine a more clueless approach to Enzo’s gratifying music.” He sounds to have been the same bore then that he is now.

  • 6
    antikitschychick says:

    “timbre is the surface of singing, the equivalent of infatuation, not love”. Absolutely brilliant analogy. Love reading your opera zine magazines Cieca! Thanks for providing these :-D.

    Hope everyone had a lovely Christmas/holiday :-D.

  • 7
    kashania says:

    Greg Baker made a strong impression as Amonasro, his dark, resonant baritone savoring the words and music to maximum dramatic effect. He should reconsider that final solo bow: going down on both knees and embracing himself was a bit girly for Amonasro.

    • 7.1
      Porgy Amor says:

      A sampling of Gregg Baker’s excellent Crown from the Nunn/Rattle Porgy and Bess. Okay, the hair is a bit Coming to America or Cosby Show but even the meticulously in-period production is unavoidably of its own time.

  • 8
    Spen says:

    Grrrr, I don’t like Dr. Repetoire. Saying Bartoli’s singing is amateurish and she is no singer at all! No, no, no, no, no….