Headshot of La Cieca

Cher Public

  • MontyNostry: When I hear her or watch her on YouTube, I do always feel a dramatic and musical intensity, and... 9:05 AM
  • odabella: It is not hard to remember that at the old Metropolitan a lot of the public had to use a side door,... 8:48 AM
  • semira mide: Thanks for the clarification about the chapel. It seemed reasonable enough that it should be the... 7:59 AM
  • PetertheModest: Is she singing too much then, and beginning to wear down her voice ? This can happen, when a... 7:25 AM
  • redbear: Calvin was a force of nature. He was to become the first really well known black conductor and most... 5:31 AM
  • PushedUpMezzo: Rupert C ventures backstage at ENO discovering Angel Blue, mice and a sweaty locker room.... 5:09 AM
  • MontyNostry: The film that taught me that Anne Boleyn had a French-Canadian accent. 4:46 AM
  • Krunoslav: Ja, ja, but also Ronald Reagan– the most destructive President since Hoover–&#... 4:19 AM
  • NPW-Paris: “A chapel” is by the way the royal chapel at the Palace of Versailles! 3:02 AM
  • Quanto Painy Fakor: Yes, the Copper Hatch, Coral and Jade at Joyce Chen’s, fig bars at Ann’s and... 2:15 AM

The beat goes on

Weltstardiva Anna Netrebko plays a basement in Greenwich Village next month when she headlines “Russian Exoticism: From Folk Music to Prince Igor,” a concert at Le Poisson Rouge. On Wednesday, January 15 at 8 p.m., Netrebko will join three stars of the Met’s new production of Prince Igor—bass-baritone Ildar Abdrazakov, who sings the title role, mezzo-soprano Anita Rachvelishvili, and bass Stefan Kocán—for arias from the Borodin opera… plus “folk songs from the outer reaches of the Russian borders and beyond.”

68 comments