Cher Public

  • overstimmelated: Fleming does have a CH concert (4 Last Songs) and her 25th anniversary celebration in May. I suppose it’s possible... 11:58 AM
  • Lady Abbado: I’ve just noticed several other “for-the-fir st-time-in-a-live- performance” in Gheorghiu’s (very... 9:23 AM
  • Lohengrin: London-Ticket-Pric es (sold out!) £125 £95 £85 £50 £40 £30 6:49 AM
  • NPW-Paris: Five to 175 euros here. 6:36 AM
  • manou: Yes – he is coming to London in October. I have just given my tickets away because we shall be abroad on the day. Not that... 3:42 AM
  • schweigundtanze: The “O soave fanciulla” with Opolais is fantastic! It reminds me of Simoneau and Alarie’s recording. 3:34 AM
  • Lohengrin: https://www.youtub e.com/watch?v=DBeI QsCy9vw https://www.youtub e.com/watch?v=7E2B 9g07Rxk 3:02 AM
  • Cicciabella: Yes, it’s a pity three North American critics felt they had to abstain. The list pertains to symphonic repertoire: best... 2:57 AM

Von Kopf bis Fuss

La Cieca is happy to present the following ready-made blind item: “[Calixto] Bieito is soon to work with New York’s Metropolitan Opera, in another co-production with ENO, but the details of what, when and how are closely guarded – possibly due to the likely degree of resulting fuss.” [The Independent]

48 comments

  • Quanto Painy Fakor says:

    As long as there’s a flame thrower in the production, everything will be fine.
    Viewer discretion with this videos!





  • alejandro says:

    My issue is that his productions usually look so ugly. The lighting, the costumes, the concepts . . . there’s a vulgarity there that’s just hard to look at. There are a lot of contemporary theater directors who do the same thing--use of fluorescent lighting, power suits from Ann Taylor and Today’s Man, industrial scaffolding, digital video, cluttered set design . . . and it’s just well unappealing to look at, IMO.

    Maybe I’m just too romantic. I prefer my regie to look like the Willy Decker Traviata. Very clean lines and staging and design. As a theater artist, that has always been my preferred aesthetic--minimalist romantic.

    • kashania says:

      I’ve seen a lot of chunks of Bieito’s productions on YouTube (and hope to see one in person one day). While I wouldn’t go as far as ugly or vulgar, I would agree that his productions generally have a very grim, gritty look to them that I don’t particularly like. The direction is always very thoughtful but I wish his insight into the operas were tied to a more appealing visual aesthetic.

      I found Decker’s Traviata interesting but overrated, but I did love the look of it.

  • zinka says:

    I KNEW they would now find a place for the old toilet bowls in the Family Circle!!!!!!!!!!!!!!!!!!!!!!!!!!