Headshot of La Cieca

Cher Public

  • Krunoslav: Ja, these tiresome provincials at the ends of the civilized Earth can scarcely expect Important... 2:12 AM
  • zinka: https://www.youtub e.com/watch?v=f_Iu SMPoHM4 What would life be without coloratura fan???? 1:48 AM
  • Feldmarschallin: Two single performances isolated and that in the middle of the harsh winter in America and... 1:34 AM
  • vilbastarda: Yes, I was there, and felt the same: completely entrapped from the very first note. She is an... 12:46 AM
  • Camille: Oh dear, now I am really sorry I didn’t attend. 11:17 PM
  • Camille: Yes sir, WELL worth your time. It may require some diligence in digging up a libretto which is, I... 11:13 PM
  • Belfagor: Yes, she held us from the very first notes of the ‘Mort d’Ophelie 217;. Interesting... 11:11 PM
  • Camille: I was not there but a fairly famous parterrian correspondent had intention of attending, and may be... 11:05 PM
  • liloloperaluv: Terrific composit photo! One of your best. I’m learning photo compositing. Hadn’t... 10:58 PM
  • Belfagor: I’m sure I wasn’t the only parterre contributor present at Anna Caterina Antonacci... 10:56 PM

Uh, no, they’re saying “Boo-runnhilde, Boo-runnhilde”

If the Frank Castorf production of the Ring at Bayreuth accomplished nothing else, it will be the popularization in classical music circles of the term “boovation.”

” It went on for nearly 10 minutes, by my watch, because Mr. Castorf, 62, who has been running the Volksbühne (People’s Theater) of Berlin since 1992, stood steadfast on stage, his arms folded stiffly, he sometimes jabbed a finger at the audience,essentially defying the crowd to keep it coming.” [New York Times]

121 comments

  • cosmodimontevergine says:

    I’d be willing to give Castorf the benefit of the doubt with the Ring until I see it myself. I’ve seen some long, tortured shows at the Volkbuehne whose only giustification seemed the director testing the bladder control of the audience