Headshot of La Cieca

Cher Public

  • marshiemarkII: Armer! check this link: http://rateyourmus ic.com/release/alb um/giovanni_bat... 12:27 AM
  • marshiemarkII: Stutzmann, now that is a voice from the past, she was really wonderful and I really like the... 12:24 AM
  • DeepSouthSenior: I have a special fondness for the Pergolesi Stabat Mater with Nathalie Stutzmann and Roy... 12:11 AM
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  • antikitschychick: armerjac, yes the Forza Leonora is a spinto role and in general I don’t think those... 11:13 PM
  • lyrebird: no neck 9:58 PM
  • phoenix: Frasquita! the true test of a great soprano – The demands on the voice and technical skill of... 9:52 PM
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  • Jack Jikes: Fausta – well-chosen name of a cat in Barabara Pym’s masterpiece “Excell... 9:36 PM

Donc, c’est ce qu’elle appelle “faire la connaissance de Mme Haines”

Some interesting programming in Avignon next season: Roberto Alagna performs Le dernier jour d’un condamné on March 9 and 12, 2014, and in between (March 11) will be a concert by Milos Karadaglic, youthful protégé of Angela Gheorghiu.

7 comments

  • oedipe says:

    Incidentally, having heard Le dernier jour d’un condamné in a concert version, I find it no worse than any number of contemporary scores and I actually much prefer it to, say, Prima Donna.

    • oedipe says:

      Aye, italics should stop after “condamné”:

      …in a concert version, I find it no worse than any number of contemporary scores and I actually much prefer it to, say, Prima Donna.

  • Quanto Painy Fakor says:

    This must be some sort of quid pro quo for the theater to stage the Alagna opera. I wonder what the part of the bargain might be.

    • oedipe says:

      It has already been staged by the Budapest Opera a few years ago, without Roberto. (You can find it on u-tube).

  • manou says:

    La haine est le berceau de cet amour fatal.