Cher Public

  • Camille: www.themorgan.org Look for Alice underground. 8:40 PM
  • Camille: Speaking of Alice: at The Morgan Library www,themorgan.org there currently an exhibition devoted to the 150th year commemoration... 8:39 PM
  • Orlando Furioso: Thanks so much, Henry Holland! I do love Alice, and her treatment in music fascinates me. Richard Addinsell (of... 7:30 PM
  • kashania: I’m glad Bayreuth considers Wilson worthy of covering. Maybe they’ll cast her in something in a few years! WTF?... 7:23 PM
  • vilbastarda: Perfect! 7:22 PM
  • laddie: Review for Santa Fe’s La Fille du Regiment. Pretty much sums up how I felt about it. I found myself wishing it were... 6:54 PM
  • manou: httpv://www.youtub e.com/watch?v=g8hu XkSaL7o 6:50 PM
  • manou: Covering her tracks. 6:48 PM

Donc, c’est ce qu’elle appelle “faire la connaissance de Mme Haines”

Some interesting programming in Avignon next season: Roberto Alagna performs Le dernier jour d’un condamné on March 9 and 12, 2014, and in between (March 11) will be a concert by Milos Karadaglic, youthful protégé of Angela Gheorghiu.

7 comments

  • oedipe says:

    Incidentally, having heard Le dernier jour d’un condamné in a concert version, I find it no worse than any number of contemporary scores and I actually much prefer it to, say, Prima Donna.

    • oedipe says:

      Aye, italics should stop after “condamné”:

      …in a concert version, I find it no worse than any number of contemporary scores and I actually much prefer it to, say, Prima Donna.

  • Quanto Painy Fakor says:

    This must be some sort of quid pro quo for the theater to stage the Alagna opera. I wonder what the part of the bargain might be.

    • oedipe says:

      It has already been staged by the Budapest Opera a few years ago, without Roberto. (You can find it on u-tube).

  • manou says:

    La haine est le berceau de cet amour fatal.