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  • vilbastarda: Yes, I was there, and felt the same: completely entrapped from the very first note. She is an... 12:46 AM
  • Camille: Oh dear, now I am really sorry I didn’t attend. 11:17 PM
  • Camille: Yes sir, WELL worth your time. It may require some diligence in digging up a libretto which is, I... 11:13 PM
  • Belfagor: Yes, she held us from the very first notes of the ‘Mort d’Ophelie 217;. Interesting... 11:11 PM
  • Camille: I was not there but a fairly famous parterrian correspondent had intention of attending, and may be... 11:05 PM
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  • Belfagor: I’m sure I wasn’t the only parterre contributor present at Anna Caterina Antonacci... 10:56 PM
  • Belfagor: A great cast – the orchestra is a little recessed and not so assured. Even though the sound... 10:46 PM
  • marshiemarkII: Carisssssimo stevey you are AMAZING!!!!!!!!!!! !!!!!! wow what encyclopedia you are! OK first... 10:37 PM
  • Krunoslav: Ah, that was the publicity given out, but perhaps then it was the only time IN THE UNITED STATES... 10:37 PM

Greene beret

Tuesday at 7:00 PM, WQXR’s Operavore and Caramoor Center for Music and the Arts offer a sneak peek at “Verdi in Paris,” the theme of this year’s Bel Canto at Caramoor. Maestro Will Crutchfield (not pictured) will present soprano Angela Meade, tenor Noah Baetge and baritone Marco Nisticò in a program of songs and arias from Les vêpres siciliennes. [The Greene Space]

3 comments

  • Lohenfal says:

    Do you think James Levine will be listening? How long will we have to put up with those inadequate Italian translations of Vêpres and Don Carlos at the Met? Of course, he also advocates inadequate versions of Carmen and Hoffmann, so why should he care about authenticity in Verdi?

  • Lohenfal says:

    A postscript:

    Those translations of Verdi’s French operas are so poor they make even Somma’s libretto for Ballo seem literate. That’s the text with the famous lines:

    Cadavere domani
    Sarai se qui rimani.