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Cher Public

  • Ouf: Many thanks, Moritz. It would make sense that ORF would b’cast the premiere, not a later... 2:09 AM
  • Rackon: Angela is singing/sang Aida in Hamburg and Pitsburgh this year, she did something with Phillidelphia... 1:25 AM
  • Poison Ivy: sorry let me try this again: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU httpv://www.you... 1:12 AM
  • Poison Ivy: More from this performance: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU https://www.you... 1:11 AM
  • Poison Ivy: Galina Gorchakova. 12:43 AM
  • Porgy Amor: Then again, she must have known that she’d never have a night like this for her own retirement.... 12:43 AM
  • Rudolf: @ Poison Ivy Thanks for this posting of a younger Borodina Amneris. Warts and all. Do you know who... 12:38 AM
  • Porgy Amor: Well, this is an opera singer quip that goes back some ways, isn’t it? “The most... 12:36 AM
  • basso profundo: I may be late to this party but I just noticed that Elina Garanca has apparently written a... 12:26 AM
  • Poison Ivy: Poor taste, but … Entertaining to watch, no? 12:23 AM

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La Cieca hopes you, the cher public, will reveal (rather than conceal) your opinions on off-topic and general interest subjects this week. But it’s up to you!

454 comments

  • ilpenedelmiocor says:

    Finally got a chance to hear Latonia Moore assay Aida live last night — God what a voice. Every time she opened her mouth it almost made you forget the rest of the mostly pretty ragged singing on display (seems that most of the money went into the admittedly very fun Zandra Rhodes co-production with HGO, SFO and ENO).

    The tenor was Walter Fraccaro, who infamously replaced Alagna when he walked out on the La Scala production. Opera Chic’s take on his performance is as true today as it was back then:

    “Oh Fraccaro, how you held the opera together with your bland but adequate stage-presence, singing Radames in your practiced Verdi tenor. I just don’t find Fraccaro all that exciting. He sang well. …Last night, Celeste Aida did not get booed, but this Opera Chic was beyond tempted to start mooing her dissaproval, and almost had to clamp her hands over her mouth to quell the urge! …(The tomb where Fraccaro is doomed to join the company of adequate tenors)”

    In short, he can sign the role (and hit the required notes). Loudly. And more loudly. That’s about the extent of the dynamic range. Jill Grove got better as the evening wore on, but has that mildly annoying habit of ending her phrases by going up on her tippy toes.