Headshot of La Cieca

Cher Public

  • BB: Far less. There was no safety and they could explode in your face. Never thought that moment was... 7:35 PM
  • Clita del Toro: PS I bet in those days guns were even less safe. 7:20 PM
  • Clita del Toro: Tenor, are you kidding? Gun accidents happen all the time–and even less plausible ones... 7:16 PM
  • mjmacmtenor: Some very interesting and thoughtful modernism. However, the bit where Alvaro throws down his... 6:56 PM
  • steveac10: He also needs to get the choristers to stop howling. Everything we heard from their camp indicates... 6:44 PM
  • David: It used to be funny when the Vicar did it. Seems more mean-spirited now 6:31 PM
  • La Cieca: oedipe, you’re being a jerk. Sit on moderation for a few days and think about being a little... 6:14 PM
  • La Cieca: They just put in place procedures that will cut annual expenditures by about $30 million, or around... 6:12 PM
  • la vociaccia: I’ll repeat what I said in the comments section of this poll. Everyone went for the most... 6:08 PM
  • redbear: Then why don’t you, great master, tell us how they are going to fix the simple cash flow... 5:53 PM

Zips up the back and no bones

La Cieca invites the cher public (pictured) to discuss off-topic and general interest subjects.

329 comments

  • Quanto Painy Fakor says:

    Cluj 2008 -- what a hack staging for the opening chorus

  • florezrocks says:

    pretty gorgeous trill from Dmitri Hvorostovsky in “Per me giunto” just now….

  • Camille says:

    Were any of youse guys at Carnegie Hall tonight to hear Jean-Yves Thibaudet and Nezet-Seguin? The Ravel piano was just out of this world wonderful. I’ve never heard it played like this or as well and never expect to hear it done so beautifully again.

    • Bianca Castafiore says:

      Funny you should mention this, I tried to get tickets but it was all sold out!!!! HOw lucky of you to be there…

      • Camille says:

        I’m married to The TicketMaster. Easy peasey.

        La vochacha—, you are in for a treat. I had never imagined this piece could have been so exquisite and have sounded so beautifully. Le Sacré, however, is best served by a sweaty beast on the podium. This was sacrifice à la légère. The boom didn’t entirely arrive.

    • la vociaccia says:

      I’m seeing it in Philly on Sunday. Can’t wait!

  • zinka says:

    MET FOR NEXT SEASON:I WENT NUTS:

    Kristine Opolais in Mme.Butterfly, Jamie Barton in Norma, Rolando Villazon in Onegin,

    THESE ARE SURPRISES!!!!!!!!!

  • WindyCityOperaman says:

    Born on this day in 1685 composer George Frideric Handel

    Born on this day in 1901 tenor André D’Arkor

    Born on this day in 1914 tenor Ronald Dowd

    Born on this day in 1922 soprano Ilse Hollweg

    Born on this day in 1927 soprano Régine Crespin

  • zinka says:

    As we celebrate the 70th birthday of Renata Scotto on Feb.24, I think back to the period when so many people (including yours truly) spent so much energy trashing her, largely owing to her essays into heavier repertory, and the extremely flawed top voice. Yes,indeed, like my beloved Martha Moedl, she was a “flawed Kunst diva,” but when we stop and take note of the body of work that Scotto produced, and realize that,along with Diana Soviero, she has been the very last of the kind of “verismo sopranos” whose emotional intensity recalls the now-forgotten era of Muzio,Favero,Zeani,etc.
    There is so much more in singing than just “voice,” and we can point out many artists who might be deemed “unlistenable” to those who do not delve more deeply into their over-all contribution to music. Callas would be a prime example, as would be Leyla Gencer, Gwyneth Jones,Conchita Supervia, Magda Olivero,Raina Kabaiwanska,and others who were not simply “producers of gorgeous vocal tones,” but who bring so much deep emotion to singing…the phrasing, the importance of even a single syllable, the love of the vocal line, the unforgettable “golden moments” that we may remember so well, even despite some rather “strange” sounds,like Leyla’s scoops, Jones’ taking three hours to get on the correct pitch of a note, Moedl’s not knowing what will come out, Supervia’s “goat-like’ vibrato,etc.
    So we wish Mme.Scotto a very happy birthday and those of us who can shed some of the “baggage of the 1980′s” must revere what she has meant to opera;sadly, there do not seem to be any singers today who can bring us the kind of depth of feeling that,for example, Muzio singing “O del mio amato ben” or just Moedl standing there as Brunnhilde without even uttering a single note, can offer.
    Thanks to you,Mme.Scotto, and I humbly apologize for some of my rants!!! Sincerely, Charlie