Headshot of La Cieca

Cher Public

  • Porgy Amor: Well, if you are asking me, rather than just restating the topic: I want to see and/or hear... 11:04 PM
  • bronzino: PA: at the risk of having you think that I am ‘digging in’, I must say that this... 10:20 PM
  • aulus agerius: I remember seeing that DG on tv though. I remember Dame Joan looked like a battleship steaming... 9:58 PM
  • Porgy Amor: Here’s how I feel about this. The theatrical side is very important. Direction, acting,... 9:54 PM
  • bronzino: st10: As an art historian, I can assure you that the frame analogy is a very valid comparison. And... 9:43 PM
  • steveac10: That is far from a valid comparison. The dramatic side of the opera is part and parcel of an... 9:16 PM
  • Don_Dano: I don’t believe that Houston plans to do a full cycle. I think the plan is to do one Ring... 9:10 PM
  • bronzino: And this, olli, is where we differ in spending our entertainment pound: I’m happy to pay to... 8:56 PM
  • Harold: And if you have to miss the HGO season, you can see it the following year in Chicago. 7:48 PM
  • Ruxxy: Show us yer tits! 7:21 PM

Fools rush in

A member of the cher public writes La Cieca suggesting that parterre readers attending the first night of the Met’s Parsifal might want to meet and/or greet. Who among you will be there? And what be shall the meeting place, or Bühnenweihfestspole?  

Meanwhile, here’s a hint of the onstage action.

63 comments

  • Jamie01 says:

    Is there a meeting place during the first intermission or do I just wander around until I overhear an exceptionally erudite and perceptive discussion of the performance, and then I’ll know I’ve found the group?

    • Jack Jikes says:

      Very top of grand staircase by the current art work?
      I will try to be apparent but not grand.

    • bluecabochon says:

      Maybe this could be a meeting place for every performance to Parterriat can meet during the run? I’ll be going on Feb. 21 and would love to meet anyone else there that evening.

  • Sneakeater says:

    I’m just a lurker, but I have to admit that I got really pissed off last night when, every time I tried to fill up time during the looooonnnnnnnggggg intermissions by looking at that painting, there was a group of men standing in front of it. Why do have to stand right in front of the painting, I kept asking myself.

    I should have eavesdropped. When I overheard the in-depth discussion of Jonas Kaufmann’s chest, I’d have understood.

    PS — Daniele Gatti!!!!!!!!!! Peter Mattei!!!!!!!!! And Rene Pape (who makes the almost miraculous seem so effortless)!!!!!!!!!!!!!!