Cher Public

  • Henry Holland: Thanks for the heads up, I’ll give it a listen this weekend. 1:57 AM
  • Jungfer Marianne Leitmetzerin: OK – this cements it: I am officially changing the cast and date on my Mixcloud page and removing... 1:44 AM
  • Jungfer Marianne Leitmetzerin: Listen to her Leonore from Wiener Staatsoper in June at my Mixcloud page and judge for yourself.... 1:39 AM
  • Cicciabella: Soffel is not the youngest of singers. Making allowances for that, I liked what she did with the text. No-one was anywhere... 1:11 AM
  • dr.malatempra: Indeed, the finest Verdi baritone singing I have heard since the prime of Cornell Macneil or the young,(Goldovsky Opera... 12:52 AM
  • Rosemont: Thank you for the reports and reviews from Santa Fe! I will be there for the first time first week of August…und freue... 12:25 AM
  • Lohenfal: Sure, but as I said, they (or others) may not be available. These singers are signed up way in advance. One never knows what... 12:11 AM
  • Sanford: She is terrific but the men are pretty awful, especially the tenor. The other voice I liked was Margareta Elkins. 11:34 PM

Fools rush in

A member of the cher public writes La Cieca suggesting that parterre readers attending the first night of the Met’s Parsifal might want to meet and/or greet. Who among you will be there? And what be shall the meeting place, or Bühnenweihfestspole?  

Meanwhile, here’s a hint of the onstage action.

63 comments

  • Jamie01 says:

    Is there a meeting place during the first intermission or do I just wander around until I overhear an exceptionally erudite and perceptive discussion of the performance, and then I’ll know I’ve found the group?

    • Jack Jikes says:

      Very top of grand staircase by the current art work?
      I will try to be apparent but not grand.

    • bluecabochon says:

      Maybe this could be a meeting place for every performance to Parterriat can meet during the run? I’ll be going on Feb. 21 and would love to meet anyone else there that evening.

  • Sneakeater says:

    I’m just a lurker, but I have to admit that I got really pissed off last night when, every time I tried to fill up time during the looooonnnnnnnggggg intermissions by looking at that painting, there was a group of men standing in front of it. Why do have to stand right in front of the painting, I kept asking myself.

    I should have eavesdropped. When I overheard the in-depth discussion of Jonas Kaufmann’s chest, I’d have understood.

    PS — Daniele Gatti!!!!!!!!!! Peter Mattei!!!!!!!!! And Rene Pape (who makes the almost miraculous seem so effortless)!!!!!!!!!!!!!!