Headshot of La Cieca

Cher Public

  • basso profundo: “centred around” 9:17 PM
  • Quanto Painy Fakor: others: Agostino Steffani, Giovanni Battista Lampugnani, Manuel de Zumaya, Giovanni... 9:04 PM
  • le cerf agile: A fourth:Lorenzo Perosi. 8:57 PM
  • Will: A second priest/opera composer: Antonio Vivaldi A third: Claudio Monteverdi 8:22 PM
  • armerjacquino: Oooh! I bought that Nancy Tatum Decca CD they released recently, out of sheer curiosity... 8:08 PM
  • CwbyLA: Does anybody know what happened to the blogger Sieglinde’s Diaries? He used to write great... 7:56 PM
  • Uncle Kvetch: Thanks for posting this — I’m a member of Cantori New York, and while we had great... 7:17 PM
  • antikitschychick: thanks for the info manou; I second your well wishes :-). 5:12 PM
  • manou: She is a lovely lady and is apparently travelling quite a bit these days. I certainly hope she is well... 4:51 PM
  • redbear: Wonderful review. I was at the Cleopatra too. First price range, first row, first balcony, nowhere... 4:50 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]

2 comments

  • Henry Holland says:

    But neither text nor music has anything remotely interesting to communicate about the experience of war — not even “what is it good for?”

    Hahahaha, I’m sure the ghosts of Norman Whitfield and Barrett Strong would approve of that sentence.

  • killthewabbit says:

    Glad to see you got this one squarely in the crosshairs. At least one of the other local critics seems to be too busy exchanging high fives with the composer and company on Facebook to issue sound judgement.