Headshot of La Cieca

Cher Public

  • La Cieca: I honestly think the “howlingR 21; comes from only a few in the chorus; most of them are... 11:47 PM
  • steveac10: Yes, you’d think they would want a challenge. When I was doing chorus work back in the... 9:49 PM
  • Krunoslav: http://tinyurl.com /qyp8osq 9:30 PM
  • Constantine A. Papas: Concerning unyielding, monolithic authoritarianism of some on this blog, on June 18,... 9:25 PM
  • manou: Not even gold hens. 8:23 PM
  • RudigerVT: Because, if you had achieved a position that is 40 times more competitive than getting into... 8:07 PM
  • Krunoslav: Not “Nice” ? 8:02 PM
  • BB: Far less. There was no safety and they could explode in your face. Never thought that moment was... 7:35 PM
  • Clita del Toro: PS I bet in those days guns were even less safe. 7:20 PM
  • Clita del Toro: Tenor, are you kidding? Gun accidents happen all the time–and even less plausible ones... 7:16 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]

2 comments

  • Henry Holland says:

    But neither text nor music has anything remotely interesting to communicate about the experience of war — not even “what is it good for?”

    Hahahaha, I’m sure the ghosts of Norman Whitfield and Barrett Strong would approve of that sentence.

  • killthewabbit says:

    Glad to see you got this one squarely in the crosshairs. At least one of the other local critics seems to be too busy exchanging high fives with the composer and company on Facebook to issue sound judgement.